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Leon Garfield's Shakespeare Stories
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About the Author

Leon Garfield (1921-1996) was born and raised in the seaside town of Brighton, England. His father owned a series of businesses, and the family's fortunes fluctuated wildly. Garfield enrolled in art school, left to work in an office, and in 1940 was drafted into the army, serving in the medical corps. After the war, he returned to London and worked as a biochemical technician. In 1948 he married Vivian Alcock, an artist who would later become a successful writer of children's books, and it was she who encouraged him to write his first novel, Jack Holborn, which was published in 1964. In all, Garfield would write some fifty books, including a continuation of Charles Dickens's Mystery of Edwin Drood and retellings of biblical and Shakespearian stories. Among his best-known books are Devil-in-the-Fog (1966, winner of The Guardian Children's Fiction Prize), Smith (1967, published in The New York Review Children's Collection), The God Beneath the Sea (1970, winner of the Carnegie Medal), and John Diamond (1980, winner of the Whitbread Award).

Michael Foreman has illustrated more than one hundred books, including those for stories by J.M. Barrie, the Brothers Grimm, Charles Dickens, and Oscar Wilde. His most recent work includes The Seeds of Friendship, which he wrote and illustrated, and the illustrations for Michael Morpurgo's retellings of Sir Gawain and the Green Knight and Beowulf.


Reviews

"In these lively and evocative pages a child will hear Shakespeare's poetry set in prose that will lay the groundwork for many a future enchanted evening at the theater." -Meghan Cox Gurdon, The Wall Street Journal

"Leon Garfield's performance in Shakespeare Stories is masterly. The Merchant of Venice, The Taming of the Shrew, Twelfth Night, and A Midsummer Night's Dream best reveal the virtuosity Mr. Garfield has developed in many years of writing dozens of children's books and historical novels. In Mr. Garfield's deft narratives the laughter is the same that one finds in the plays, but so is the uneasiness. He gets the balances right." -D. J. R. Bruckner, The New York Times

"Here is an alternative to yellow study guides, one in which explication is available in the graceful prose. Garfield's seamless movement between his own descriptive language and Shakespeare's has never worked better." -Sally Margolis, School Library Journal

"The most accessible introduction to the Bard ever." -Woman & Home

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