ACKNOWLEDGEMENTS
INTRODUCTION
PART I· BASIC CONCEPTS
Chapter 1. Cinema and the Theory of Intertextuality
PART II· NARRATIVE'S WAY: D. W. GRIFFITH
Chapter 2. Repressing the Source: D. W. Griffith and Browning
Chapter 3· Intertextuality and the Evolution of Cinematic Language:Griffith and the Poetic Tradition
PART III· BEYOND NARRATIVE: AVANT-GARDE CINEMA
Chapter 4· Cinematic Language as Quotation: Cendrars and Leger
Chapter 5· Intertext against Intertext: Bunuel and Dali's Un Chien andalou
PART IV· THEORISTS WHO PRACTICED
Chapter 6. The Hero as an "Intertextual Body": Iurii Tynianov's Lieutenant Kizhe
Chapter 7· The Invisible Text as a Universal Equivalent:Sergei Eisenstein
CONCLUSION
NOTES
WORKS CITED
INDEX

About the Author

Mikhail Iampolski teaches in the departments of Slavic and Comparative Literature and Russian Studies at New York University.

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About the Author