Table of Contents

Contents: Part 1 Roman Matters: Old-Roman chant and the Responsories of Noah: new evidence from Sutri; Candle, text, ceremony: the Exultet at Rome. Part 2 Embellishing the Liturgy: Introducing the Gloria in excelsis; New music from old: the structuring of responsory prosas; Melodic elaboration in responsory melismas; Melisma and prosula: the performance of responsory tropes; Neuma triplex; Modal neumes at Sens. Part 3 Singing from Scrolls: Structure and ornament in chant: the case of the Beneventan Exultet; The liturgical rotulus at Benevento; A Milanese processional roll at the Beinecke library. Part 4 Later Medieval Music: Medieval composers of liturgical chant; Early polyphony at Montecassino; Indexes.

About the Author

Thomas Forrest Kelly is Harvard College Professor and Morton B. Knafel Professor of Music, Harvard University, USA