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The Singing of the Strasbourg Protestants, 1523-1541
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Table of Contents

Introduction; The Church and the ‘wonderful art’ of music; Abolishing the mass; The move towards conformity; Song texts and their messages; The 1541 Gesangbuch and Strasbourg’s external influence; Conclusions; Appendices; Bibliography; Index.

About the Author

Dr Daniel Trocmé-Latter is Fellow and Director of Studies in Music, Homerton College, Cambridge, UK.

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