Virginia Woolf (1882-1941), one of the great twentieth-century
authors, was at the center of the Bloomsbury Group and is a major
figure in the history of literary feminism and modernism. She
published her first novel, The Voyage Out, in 1915, and between
1925 and 1931 produced what are now regarded as her finest
masterpieces, including Mrs. Dalloway (1925), To the Lighthouse
(1927), and The Waves (1931). She also maintained an astonishing
output of literary criticism, short fiction, journalism, and
biography, including the playfully subversive Orlando (1928) and
the passionate feminist essay A Room of One's Own (1929).
Patricia Lockwood (foreword) is the author of the novel No One Is
Talking About This, a 2021 Booker Prize finalist and one of The New
York Times Book Review's Ten Best Books of 2021, and the memoir
Priestdaddy, one of The New York Times Book Review's Ten Best Books
of 2017, as well as the poetry collections Motherland Fatherland
Homelandsexuals and Balloon Pop Outlaw Black. Her writing has
appeared in The New York Times, The New Yorker, The New Republic,
and the London Review of Books, where she is a contributing
editor.
Hermione Lee (introduction) is Emeritus Professor of English
Literature at Oxford University and the author of biographies of
Virginia Woolf, Edith Wharton, Willa Cather, and Penelope
Fitzgerald. She was made a Dame for services to literary
scholarship.
Stella McNichol (editor, notes) was the author of several critical
studies on Virginia Woolf.
“I put off To the Lighthouse for a long time, in order to live in
delicious anticipation of it. . . . Yet this pleasure can be drawn
out for only so long; if you are a reader, the morning comes when
you must greet it along with the sun. . . . There is never the
sense, opening To the Lighthouse, that it could have been anything
else. It opens with the weather, just like the real day. It rises
to some occasion, wakes with the lark to meet the weekend―moves
‘with an indescribable air of expectation,’ because it is going to
meet someone around the corner, and with the shock of encounter you
sometimes feel in reading, you find that it is you.” ―Patricia
Lockwood, from the Foreword
“I reread this book every once in a while, and every time I do I
find it more capacious and startling. It’s so revolutionary and so
exquisitely wrought that it keeps evolving on its own somehow, as
if it’s alive.” —Alison Bechdel
“I know of no more gut-wrenching, soaring prose about shared
consciousness, mortality and water. Truly a book for the cradle to
the grave.” —Maggie Nelson
“This novel is just astonishing in its depth and reach and beauty.
There is really nothing else like it, and no matter how many times
I read it I find myself shocked at what Woolf was able to do.” —Meg
Wolitzer
“A classic for a reason. My mind was warped into a new shape by her
prose and it will never be the same again.” —Greta Gerwig
“My admiration for this book is complete. It is as beautiful,
poignant, and ruthless as anything I have ever read.” —Siri
Hustvedt
“Woolf’s groundbreaking novel is still one of the best available
accounts of self-mythologizing middle-class family life and its
oppressive construction of male and female identity.” —Rachel
Cusk
“One of the greatest elegies in the English language, a book which
transcends time.” —Margaret Drabble
“Without question one of the two or three finest novels of the
twentieth century. Woolf comments on the most pressing dramas of
our human predicament: war, mortality, family, love. If you’re like
me you’ll come back to this book often, always astounded, always
moved, always refreshed.” —Rick Moody
“She was doing with language something like what Jimi Hendrix does
with a guitar.” —Michael Cunningham
“Radiant . . . I think that beyond being about the very nature of
reality, it is itself a vision of reality.” —Eudora Welty
“Thrillingly introspective.” —The Independent
“At the head of all Virginia Woolf’s work.” —The New York
Times
Ask a Question About this Product More... |