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Virilio Live
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Table of Contents

Preface - Paul Virilio
Introduction - John Armitage
PART ONE: ON THEORY, CULTURE AND SOCIETY
Interview One: From Modernism to Hypermodernism and Beyond - John Armitage
PART TWO: ON ARCHITECTURE
Interview Two: Paul Virilio and the Oblique - Enrique Limon
Interview Three: The Time of the Trajectory - Andreas Ruby
PART THREE: ON SPEED-SPACE AND CHRONOPOLITICS
Interview Four: Speed-Space - Chris Dercon
Interview Five: Perception, Politics and the Intellectual - Niels Br[um]ugger
Interview Six: The Information Bomb - Friedrich Kittler
PART FOUR: ON ART, TECHNOCULTURE AND THE INTEGRAL ACCIDENT
Interview Seven: Paul Virilio - J[ac]er[ci]ome Sans
Interview Eight: Paul Virilio - Dominique Joubert & Christiane Carlut
Interview Nine: The Dark Spot of Art - Catherine David
Interview Ten: Landscape of Events Seen at Speed - Pierre Sterckx
Interview Eleven: Not Words but Visions! - Nicholas Zurbrugg
PART FIVE: ON THE STRATEGIES OF DECEPTION
Interview Twelve: The Kosovo W@r Did Take Place - John Armitage
Suggested Further Reading
Select Bibliography of the Works of Paul Virilio - John Armitage

About the Author

John Armitage is Principal Lecturer in politics and media studies at the University of Northumbria, Newcastle upon Tyne.

Reviews

`Read Virilio at his spoken best: accelerated, corrosive, prophetic. Virilio is trying to wake up everyone that slumbers as the information bomb disappears the autonomous subject, trivializes democratic politics, and turns Western ways of war into a videogame. Drivign a stake into the heart of the military-industrial-media-entertainment network, Virilio Live could well be the best possible antidote yet for the virtually undead′ - James Der Derian, editor of The Virilio Reader `The spontaneity of the interview form brings otu the best in Virilio. This is an indispensable guide to the work and thought of one of the most important contemporary thinkers. A lively and thought-provoking collection, it will be welcomed by initiates and newcomers alike′ - Professor Kevin Robins, Goldsmiths College, University of London

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