E 1999 Eternal

Rating

Album: E 1999 Eternal
#	Song Title		Time
1)	Da Introduction	More Info...	0:04
2)	East 1999	More Info...	0:04
3)	Eternal	More Info...	0:04
4)	Crept And We Came	More Info...	0:05
5)	Down '71	More Info...	0:05
6)	Mr. Bill Collector	More Info...	0:05
7)	Budsmokers Only	More Info...	0:03
8)	Crossroad	More Info...	0:03
9)	Me Killa	More Info...	0:01
10)	Land Of Tha Heartless	More Info...	0:03
11)	No Shorts, No Losses	More Info...	0:05
12)	1st Of Tha Month	More Info...	0:05
13)	Buddah Lovaz	More Info...	0:04
14)	Die Die Die	More Info...	0:03
15)	Mr. Ouija 2	More Info...	0:01
16)	Mo' Murda	More Info...	0:05
17)	Shotz To Tha Double Glock	More Info...	0:04
18)	Tha Crossroads	More Info...	0:03

Tracks

1. Da Introduction

2. East 1999

3. Eternal

4. Crept And We Came

5. Down '71 [The Getaway]

6. Mr. Bill Collector

7. Budsmokers Only

8. Crossroad

9. Me Killa

10. Land Of Tha Heartless

11. No Shorts, No Losers

12. 1st Of Tha Month

13. Buddah Lovaz

14. Die Die Die

15. Mr. Ouija 2

16. Mo' Murda

17. Shotz To Tha Double Glock

18. Tha Crossroads [D.J. U-Neek's Mo Thug Remix]

Performer Notes

Bone Thugs-N-Harmony: Krayzie Bone, Layzie Bone, Bizzy Bone, Flesh'n'Bones, Wish Bone.
Recorded at Trax Recording Studio, Hollywood, California.
"Crossroad"--re-titled "Tha Crossroads" when it was released as a single--won a 1997 Grammy Award for Best Rap Performance By A Duo Or Group.
E. 1999 ETERNAL was nominated for a 1996 Grammy Award for Best Rap Album. "1st Of Tha Month" was nominated for a 1996 Grammy for Best Rap Performance By A Duo Or Group.
Bone Thugs-N-Harmony: Krayzie Bone, Layzie Bone, Bizzy Bone, Flesh'n'Bones, Wish Bone.
Recorded at Trax Recording Studio, Hollywood, California.
"Crossroad"--re-titled "Tha Crossroads" when it was released as a single--won a 1997 Grammy Award for Best Rap Performance By A Duo Or Group.
E. 1999 ETERNAL was nominated for a 1996 Grammy Award for Best Rap Album. "1st Of Tha Month" was nominated for a 1996 Grammy for Best Rap Performance By A Duo Or Group.
Perhaps Bone Thugs-N-Harmony have created a new genre of music and should no longer be considered "rap." No, they're not singing over a rap beat, or rapping over an R&B tune or sampled loop; so what exactly are they doing? What Bone Thugs-N-Harmony are doing is fascinating the industry with an idiosyncratic vocal style--call it harmony hip-hop.
E. 1999 ETERNAL, Bone Thugs-N-Harmony's first full-length release, further displays the trio's Cleveland-born music, and continues to concentrate on their thuggish-ruggish lifestyle. While Bone touch on the same themes as the bulk of gangsta rappers, they transform their world into a horror-filled fantasy. Thus, "Crossroad" deals not only with the reality of death, but with the inevitability of meeting the "missed ones" on the other side; and "Down '71 (The Getaway)" tells a tale of the group's escape from an execution.
Not only are Bone Thugs-N-Harmony vocally unique (the a capella "Me Killa" is the rap equivalent of doo-wop), but the beats represent both the East and West coast rap schools. On E. 1999 ETERNAL, D.J. U-Neek controls the boards, and helps Bone establish a Midwestern brand of hip-hop.

Professional Reviews

Q (3/00, pp.116-7) - 5 stars out of 5 - "...nobody...could do what they do....rapping at breakneck pace either against or with each other, underpinned by Armageddon-fixated spirituality....just doo-wop interplay, jazz-style scatting and staggeringly tight harmonies. Truly extraordinary."

Q (3/00, pp.116-7) - 5 stars out of 5 - "...nobody...could do what they do....rapping at breakneck pace either against or with each other, underpinned by Armageddon-fixated spirituality....just doo-wop interplay, jazz-style scatting and staggeringly tight harmonies. Truly extraordinary."

Vibe (9/95, p.188) - "...bridging decidedly West Coast, bumping beats and harmonizing choruses with complicated Eastern-style flows, the quintet illuminate[s] the possibilities of mid-western hip hop--married to neither coast but obviously inspired by both..."

Vibe (9/95, p.188) - "...bridging decidedly West Coast, bumping beats and harmonizing choruses with complicated Eastern-style flows, the quintet illuminate[s] the possibilities of mid-western hip hop--married to neither coast but obviously inspired by both..."

The Source (9/95, p.98) - 3.5 Mics (out of 5) - "...Bone offer so much complexity and cleverness that you rarely catch...due to the flow and style...along with Prince (circa 1979) type melody...is just a sample of what to check for..."

The Source (9/95, p.98) - 3.5 Mics (out of 5) - "...Bone offer so much complexity and cleverness that you rarely catch...due to the flow and style...along with Prince (circa 1979) type melody...is just a sample of what to check for..."

NME (Magazine) (8/19/95, p.50) - 7 (out of 10) - "...their ability to ring some supernatural changes on the silky Warren G/Montell Jordan formula...has produced a darker, more deadly cocktail..."

NME (Magazine) (8/19/95, p.50) - 7 (out of 10) - "...their ability to ring some supernatural changes on the silky Warren G/Montell Jordan formula...has produced a darker, more deadly cocktail..."

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