About the Author

Hermann Hesse (1877-1962) spent World War I in Switzerland. After the war and a psychological crisis, he removed himself to the small town of Montagnola, where he created his best-known works. He received many important honors, including the Nobel Prize for Literature in 1946.

Joachim Neugroschel (1938–2011) translated numerous books from French, German, Italian, Russian, and Yiddish. The winner of three PEN translation awards and the French-American Foundation translation prize, he translated Thomas Mann’s Death in Venice, E. T. A. Hoffman and Alexadre Dumas’s Nutcracker and Mouse King, and Leopold von Sacher-Masoch’s Venus in Furs for Penguin Classics. He also compiled several anthologies including Great Tales of Jewish Fantasy and the Occult, A Dybbuk and Other Tales of the Supernatural, and The Golem: A New Translation of the Classic Play and Selected Short Stories.

Jessica Hische is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine’s "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.

Reviews

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
—Fast Company

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
—Flavorwire

"Classic reads in stunning covers—your book club will be dying."
—Redbook