About the Author

Dean Koontz was born into a very poor family and learned early on to escape into fiction. His novels have sold over 200 million copies worldwide and more than thirty have appeared on national and international bestseller lists. He lives in southern California with his wife, Gerda, and a vivid imagination.

Reviews

Koontz is the master of the supernatural-suspense novel and other cross-genre literary combinations. These two works demonstrate his talent for creating unlikely early situations in multiple and disparate story lines, then pulling them together for convincing and ultimately uplifting denouements. He does this seemingly effortlessly with great writing and excellent characters and dialog. In One Door Away from Heaven, read by Anne Twomey, a fictional condemnation of utilitarian bioethics, the author joins plot elements that include an endangered and precocious child, human-dog bonding, the world of UFO and ET cultism, and an imperiled alien who's been placed on Earth to help save the planet. In The Face, read by Dylan Baker, a sadistic professor of literature plans to kidnap and torture the lonely and marginalized child of the world's most famous movie star, Channing Manheim (a.k.a. "The Face"). Channing's security chief is aided by a guardian angel, among other supernatural entities, in thwarting the attack. In both programs, the readers do a great job of capturing the personalities of Koontz's roster of unique, kooky, evil, cynical, canine, alien, divine, and undead characters. Both programs are highly recommended.-Kristen L. Smith, Loras Coll. Lib., Dubuque, IA Copyright 2004 Reed Business Information.

Koontz's latest is powered by an impassioned stand against utilitarian bioethics, and it's chock-a-block with trademark characters vulnerable kids, nurturing parental substitutes, a dog of above-average intelligence and a villain of insuperable nastiness sure to provoke a pleasurable conditioned response from his readers. The discursive story coalesces from two converging subplots steeped in the weirdness of fringe ufology: in one, loser Michelina Bellsong struggles to save crippled nine-year-old Leilani Klonk from an evil stepdad planning to pass off her imminent disposal as a benevolent alien abduction; in the other, a strange boy who goes by the alias Curtis Hammond is the quarry of two cross-country manhunts, one led by the FBI and the other by mass murderers who, like the messianic Curtis, may not be what they seem. En route to a pyrotechnic finale in rural Idaho, Koontz shoots bull's-eyes at target issues that shape his theme, including assisted suicide, substance abuse, the irresponsibility of the counterculture and the goofiness of true-believer ET enthusiasts. Koontz's once form-fitting style has gotten baggy of late, however, and readers may find themselves wishing he had better filtered the flights of fancy his characters sometimes indulge at chapter length. For all that, the novel is surprisingly focused on its inspirational message "we are the instruments of one another's salvation and only by the hope that we give to others do we lift ourselves out of the darkness into light" and conveys it with such conviction that only the most critical will demur. (Dec. 26) Forecast: A terrific cover, depicting two female figures on a country path beneath a star-filled night sky, will alert browsers to the awe and mystery within the novel; Koontz's name and Bantam's promo machine will do the rest. Koontz could hit #1 with this one. Copyright 2001 Cahners Business Information.