Table of Contents

Introduction 1. Star Wars vs. Secularity 2. Leftist Political Critique 3. Late Seventies Promotion and Spin-off Materials 4. Myth Criticism 5. The Liberation Reading 6. Prequels and Sequels Conclusion Bibliography Index

Promotional Information

An analysis of the ways in which the themes and imagery of the Star Wars films, particularly the first, have been interpreted in the years since 1977.

About the Author

Miles Booy is an independent scholar, having lectured at the University of East Anglia, UK, and Stafford College, UK. He is the author of Marvel's Mutants: The X-Men Comics of Chris Claremont (2018) and Love and Monsters: The Doctor Who Experience, 1979 to the Present (2012).

Reviews

Interpreting Star Wars does something unique and important: it traces the cultural shifts of a broader culture when examining the products of the franchise, itself. As a result, Interpreting Star Wars is a work allowing for a deep insight on how each film interacted with the time period of its release as well as its influence moving forward. Especially cogent are Booy’s look at the religious and mythic underpinnings of the series and how those foundations is a pathway understanding the abilities of the franchise to both reflect and influence culture. This is a must-have book both for fans and for scholars.
*Matthew Wilhelm Kapell, editor of Finding the Force in the Star Wars Franchise (2006) and Adjunct Professor of American Studies and English, Pace University, USA*

So many thousands of words have been written about the Star Wars phenomenon that one started to wonder whether there was anything left to say. As this carefully researched, engagingly written and often strikingly original book demonstrates, the answer is yes, there is. Even for the most well-informed scholar and the most dedicated fan much is to be learned here. The emphasis is on the evolution of the Star Wars universe across more than four decades, on how the increasing number of stories set in it relate to each other and on how ever-changing currents of critical writing have generated a wealth of interpretations.
*Peter Krämer, author of 2001: A Space Odyssey (2020), Dr. Strangelove (2019) and The General (2019)*