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The Archive of Alternate Endings
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Promotional Information

• Author appearances including South Carolina, Colorado, and Washington, D.C., as well as participation in Deckle Edge Literary Festival, South Carolina Book Festival, Get Lit Fest, Lighthouse Lit Fest, and Blue Ridge Book Festival
• Promotion at AWP
• Mass Galley Mailing
• Major Awards Push
• Timed publication of excerpts and interviews in The Rumpus, The Millions, Huffington Post, Entropy, Full Stop, and KCRW’s The Bookworm
•Features, reviews, and other coverage in The Masters Review, Entropy, The Stranger, The Paris Review, Late Night Library, The Believer, Quarterly West, and Brooklyn Rail
• Coverage via author connections to the Review of Contemporary Fiction, Ninth Letter, Tupelo Quarterly, Los Angeles Review, and Tarpaulin Sky
• Advanced Copy Giveaways on Amazon and Literary Hub
•Promotion through Lighthouse Writers Workshop in Denver, CO
•Forthcoming blurbs from Adam Braver, Amelia Gray, Dan Chaon, Manuel Gonzales, Kate Bernheimer, Julia Elliott, and Samantha Hunt
• Advertising Budget Available
• Social media campaigns on Facebook, Twitter, Instagram, and Tumblr
• Egalleys available on Edelweiss

About the Author

Lindsey Drager is the author of The Sorrow Proper (Dzanc, 2015), winner of the 2016 Binghamton University / John Gardner Fiction Award, and The Lost Daughter Collective
(Dzanc, 2017), winner of a 2017 Shirley Jackson Award and finalist for at Lambda Literary Award. She is an assistant professor at the College of Charleston.

Reviews

"A philosophical book ... beautiful in its conception." —Kirkus Reviews



"Unapologetically Borgesian, at once a library of Babel and a garden of forking paths, but its ideas hold meaning because real people live and die by them, caught up in spirals of shame and compassion, always on the verge of—but never quite tipping over into—understanding."
—Arkansas International



"[A] taut, deeply philosophical retelling...This is a profoundly resonating book that will feel both dense and light."
—Historical Novel Society



"Although relatively slim, Drager’s novel is a vast and convoluted treasure trove. She does a fine job of illuminating the darker concepts and human relationships with her rich, confident, and sometimes startling writing. Reading The Archive of Alternate Endings is an enriching literary experience the reader will remember hauntingly ever after."
—Philly.com



"A leaner, tighter, more emotionally impactful take on connectedness and purpose and the immensity of existence than David Mitchell created with Cloud Atlas––done in a quarter of the pages, with a more sincere, human touch. There isn’t a grand conspiracy or plot here. This is a book about life. The result is a bold novel that challenges the idea of storytelling, time, identity, love, family, and history. Someone once told me that the best books haven’t been written yet. This one has."
—Barrelhouse



"There is something both nihilistic and deeply hopeful in Drager's looping novel. Nihilistic, because in so many ways it indicates that as parts of a continuum of human storytelling, life, love, and hate, none of us matter; but hopeful because that continuum means our stories are related, our narratives interlocking, and so while we may be insignificant, we are also never alone."
—NPR



"Drager has developed somewhat of a cult following her previous books...and for good reason—her writing is hypnotic. ... With themes of sibling love, queerness, time and space, and the earthly, this is an engrossing and poetic read."
—Brooklyn Rail



"A poetic investigation of queerness and a philosophical meditation on the mercurial nature of stories...Weaving together fairytale archetypes, astronomical phenomena and queer history, The Archive of Alternate Endings is a uniquely rewarding balance between literary experimentation and human emotion, whilst remaining a riddling sphinx of a book."
—The Quietus



"The Archive of Alternate Endings will lead you into uncanny forests both primordial and new, where storytellers forage and banished children roam. Cosmically expansive and poignantly intimate, Lindsey Drager’s queer retellings tap into the magic and menace of ancient tales—a dazzling, moving, brilliant book."
--Julia Elliott, author of The Wilds and The New and Improved Romie Futch




"A system that includes labyrinths and dark forests as well as siblings, light, and houses made of ginger bread. ... What a pleasure it is to enter the safe harbor of Drager’s novel."
--New York Journal of Books




"This beautiful, haunting and innovative novel traces the way stories live inside us and travel over generations. It's a book that asks essential questions: What makes us human? What might our species leave behind when it's gone? A stunning tour-de-force that will linger with me for a long time."
--Dan Chaon, author of Ill Will



"I could make comparisons—to David Mitchell’s Cloud Atlas or Penelope Lively's Moon Tiger—but I’ve never read anything quite like Lindsey Drager's The Archive of Alternate Endings. Yes, it's a remarkable, heart-stunning novel, but it's also a delightfully original collection of stories that reaches across the centuries to ultimately shape a narrative of love and tragedy. Behold and beware, there's magic in your hands, and the chapters that await you are as thick with gothic shadows and fairy tale whimsy as the Black Forest of Germany."
--Benjamin Percy, author of The Dark Net and Red Moon



"Lindsey Drager’s novel-in-stories, The Archive of Alternate Endings, spans the history (and future) of the western world, all while showing what is, in fact, the short timeline of humanity. Storytelling. Fables. Legends. Mythologies. Drager’s world is one that spins variations of itself across time. And yet through the stories in this collection we find that what does remain constant across this cyclical continuum is love, devotion, and commitment. Concise and beautifully written in an understated yet rich manner, Lindsey Drager not only has given us a book of ideas, but, equally important, she has given us a work of art."

--Adam Braver, author of November 22, 1963 and What the Women Do

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