About the Author

Virgil (70-19BC) studied rhetoric and philosophy in Rome where he became a court poet. As well as The Aeneid, his Eclogues earned him the reputation as the finest Latin poet.

Reviews

"Fitzgerald's is so decisively the best modern Aeneid that it is unthinkable that anyone will want to use any other version for a long time to come."--New York Review of Books "From the beginning to the end of this English poem...the reader will find the same sure control of English rhythms, the same deft phrasing, and an energy which urges the eye onward."--The New Republic "A rendering that is both marvelously readable and scrupulously faithful.... Fitzgerald has managed, by a sensitive use of faintly archaic vocabulary and a keen ear for sound and rhythm, to suggest the solemnity and the movement of Virgil's poetry as no previous translator has done (including Dryden).... This is a sustained achievement of beauty and power."--Boston Globe

Princeton scholar Fagles follows up his celebrated Iliad and Odyssey with a new, fast-moving, readable rendition of the national epic of ancient Rome. Virgil's long-renowned narrative follows the Trojan warrior Aeneas as he carries his family from his besieged, fallen home, stops in Carthage for a doomed love affair, visits the underworld and founds in Italy, through difficult combat, the settlements that will become, first the Roman republic, and then the empire Virgil knew. Recent translators (such as Allen Mandelbaum) put Virgil's meters into English blank verse. Fagles chooses to forgo meter entirely, which lets him stay literal when he wishes, and grow eloquent when he wants: "Aeneas flies ahead, spurring his dark ranks on and storming/ over the open fields like a cloudburst wiping out the sun." A substantial preface from the eminent classicist Bernard Knox discusses Virgil's place in history, while Fagles himself appends a postscript and notes. Scholars still debate whether Virgil supported or critiqued the empire's expansion; Aeneas' story might prompt new reflection now, when Americans are already thinking about international conflict and the unexpected costs of war. (Nov.) Copyright 2006 Reed Business Information.

"Fitzgerald's is so decisively the best modern Aeneid that it is unthinkable that anyone will want to use any other version for a long time to come."--New York Review of Books

"From the beginning to the end of this English poem...the reader will find the same sure control of English rhythms, the same deft phrasing, and an energy which urges the eye onward."--The New Republic "A rendering that is both marvelously readable and scrupulously faithful.... Fitzgerald has managed, by a sensitive use of faintly archaic vocabulary and a keen ear for sound and rhythm, to suggest the solemnity and the movement of Virgil's poetry as no previous translator has done (including Dryden).... This is a sustained achievement of beauty and power."--Boston Globe