`A fascinating study of the reception of the opera from the late
eighteenth century to the post-war Purcell revival.' Curtis Price,
Early Music History
`a breath of fresh air...Harris has made a significant contribution
to the history of performance practice' Times Literary
Supplement
`concentrated, full of interest' Opera
`Here is an exemplary manual for the performer that is as rewarding
for the general listener, and one no less illuminating for either.'
Music and Musicians
`a useful summary of current thinking about Dido and Aeneas.'
Margaret Laurie, Music and Letters
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