Preface
Acknowledgments
Introduction to the First Edition
1: The Roots
2: The Foundations
3: The Tango Rage
4: The 1930s: The Rumba Era
5: The 1940s: The Watershed
6: The 1950s: Mambo Time
7: The 1960s: Going Underground
8: The 1970s: The Return to the Mainstream
9: "Mundo Latino"
Afterword: Newer Voices, Harder Sounds
Glossary
Select Discography
Select Bibliography
Index
John Storm Roberts has been writing about the U.S.-Latin music scene since the early 1970s and among other international credits covered salsa and allied sounds for the Village Voice.
Praise for the previous edition:
"Roberts cares passionately about Latin music and he is able to
describe what he hears in it clearly enough to enable the non-Latin
listener to hear it too."--Robert Palmer, New York Times Book
Review
"Roberts treats his subject with singular affection and respect
only a true fan and student can give."--Nuestro Magazine
"Demonstratess a non-purist, open ear that is rare and welcome...a
solid, up-to-date and balanced examination."--Kirkus Reviews
"A provocative study, secure in its data...Roberts virtually has
this subject cornered."--Black Perspectives in Music
Praise for the previous edition:
"Roberts cares passionately about Latin music and he is able to
describe what he hears in it clearly enough to enable the non-Latin
listener to hear it, too."--Robert Palmer, The New York Times Book
Review
"Roberts treats his subject with singular affection and respect
only a true fan and student can give...makes the unclear clear,
tracing the history of 'Americanized Latin' music on records, the
stage, and in the movies as well as an informative look at the
genuine Latin styles that evoked the fad fires."--Carlos de Leon,
Nuestro Magazine
"Demonstrates a non-purist, open ear that is rare and welcome...a
solid, up-to-date and balanced examination."--Kirkus Reviews
"A provocative study, secure in its data...Roberts virtually has
this subject cornered."--Dr. Dominique-Rene de Lerma, Black
Perspectives in Music
"That rarity, a genuine 'first'; the only book ever to have covered
the crucial contribution that Latin rhythms made in forming our
uniquely American idiom."--Pete Terrace, Cash Box
"Since 1990, I have been making use of The Latin Tinge as the
required text in my course on Latin American music...I am pleased
at the prospect of increasing numbers of students benefiting from
Mr. Roberts' insight and clear explanations."--David Vayo, Illinois
Wesleyan University
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