Table of Contents

Preface Transliteration and Romanization A Taste of Things to Come RASA in Theory: Text and Context A. Etymological Ingredients B. Sources of Inspiration C. A Written Recipe for the Arts D. Influences and Implications RASA in Practice: Drama, Dance, Music A. All The Stage Is But a World B. Dance As Mystery Bharata Natyam Shringara Rasa: What Love Has to Do With It Kathakali Kathak C. Good Taste In Music Transformations In Time And Space Glossary Bibliography

Promotional Information

The third book in a trilogy that includes Seeing the Divine and Hearing the Divine, this book articulates the religious sensibility underlying the traditional performing arts and examines the relationships between the arts and religion in India today.

About the Author

Susan L. Schwartz is associate professor of religion and director of the Interdisciplinary Program in Asian Traditions at Muhlenberg College. She is the coauthor of The Religions of Star Trek.

Reviews

"This volume is a gem that deserves wide distribution. It is destined to become a classic contribution to the literature on Hinduism and Indian civilization." -- Choice "It thoughtfully explores an aesthetic of great depth and elegance." -- Dance Magazine "This book is clear and accessible for the introductory reader." -- Mythili Kumar, Asian Theatre Journal "[ Rasa] should prove a valuable classroom tool as well as a necessary addition to college libraries." -- Constantina Rhodes Bailly, Hindu Studies "Recommended to all those needing a sympathetic and intelligent introduction to the Indian performance arts and their appreciation." -- Edwin Gerow, Journal of the American Oriental Society