Acknowledgements
List of illustrations
Introduction
1. May in the cinema
2. The 'Serie-Z', politics and the thriller genre
3. The new naturalism
4. Filmic Utopias: Imagining the new society
5. Revolutionary form in theory and practice
6. The representation of history
7. Two directors: William Klein and Alain Tanner
Alison Smith is Lecturer in French and European Film Studies at the University of Liverpool
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