Introduction, Simon Emmerson; Part 1 Listening and interpreting; Chapter 1 Through and around the acousmatic: the interpretation of electroacoustic sounds, Luke Windsor; Chapter 2 Simulation and reality: the new sonic objects, Ambrose Field; Chapter 3 Beyond the acousmatic: hybrid tendencies in electroacoustic music, Simon Waters; Part 2 Cultural noise; Chapter 4 Plunderphonics, Chris Cutler; Chapter 5 Crossing cultural boundaries through technology?, Simon Emmerson; Chapter 6 Cacophony, Robert Worby; Part 3 New places, spaces and narratives; Chapter 7 Art on air: a profile of new radio art, Kersten Glandien; Chapter 8 ‘Losing touch?’: the human performer and electronics, Simon Emmerson; Chapter 9 Stepping outside for a moment: narrative space in two works for sound alone, Katharine Norman;
Simon Emmerson, De Montfort University, UK Simon Emmerson, Luke Windsor, Ambrose Field, Simon Waters, Chris CutlerRobert Worby, Kersten Glandien, Katharine Norman.
’...the essays are well written and teem with marvelous insights...well worth owning.’ The Tentacle '... rich bibliographical references [...] follow each chapter.' International Review of the Aesthetics and Sociology of Music
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