Table of Contents

Contents: Introduction: Why early modern fiction?; Early modern romance and the middlebrow reader; Heliodorus and early modern literary culture; Anti-epic traditions: Sidney's New Arcadia; Anti-epic traditions: Greene's romances; The Homer of women: Greene and the novella; Fictions of nostalgia: Lodge versus Greene; Dishonest romance: Greene and Nashe; Conclusion: Greene's ghosts and the middlebrow author; Bibliography; Index.

About the Author

Steve Mentz is Assistant Professor of English at St. John's University in Queens, New York, USA. He is also co-editor of Rogues and Early Modern English Culture (2004).

Reviews

'This learned study offers important new contexts for the prose romances”and authorial careers”of Sidney, Greene, Lodge, and Nashe. Mentz recovers a 'Heliodoran Moment' in the 1580s and 90s, vivid in its generic and rhetorical jostlings and vital in its implications for our histories of prose fiction, print culture, and the literary marketplace.' Professor William H. Sherman, University of York, UK 'This lively study offers original perspectives on two processes that have attracted growing critical attention: the emergence of print authorship, and the development of pre-novelistic fictions. Mentz compellingly argues that Elizabethan prose fiction was crucial to both processes, as Elizabethan writers sought models for their uncertain roles in the chance-driven narratives of Greek romance.' Lori Humphrey Newcomb, Associate Professor of English, University of Illinois at Urbana-Champaign '... engaging new study... this book is a valiant production, full of interesting detail, arresting in its novelty, comprehensive in the scope of the background reading, and worth the consideration of all students of early prose fiction.' Renaissance Quarterly ’... a rich, original and informative book which is a pleasure read: it should be essential reading for all those interested in the changing fashions of Renaissance prose romance.’ Early Modern Literary Studies ’... Mentz's study provides compelling new contexts for prose romance and for authorial careers. His study of how authors strove to situate themselves in their peritexts provides fresh insight into how popular romance sold itself.’ Journal of British Studies ’If nothing else, this book will remain a resource and point of reference for early modernists with an interest in Elizabethan prose fiction... Romance for Sale in Early Modern England represents a broad critical updating and reconsideration of the field of Elizabethan prose fiction, and it is timely as such. Many readers will welcome it.’