Nick Hornby is the author of seven internationally bestselling novels (Funny Girl, High Fidelity, About a Boy, How to be Good, A Long Way Down, Slam and Juliet, Naked) and several works of non-fiction including Fever Pitch, Songbook and Ten Years In The Tub. He has written screenplay adaptions of Lynn Barber’s An Education, nominated for an Academy Award, Cheryl Strayed's Wild and Colm Tóibín’s Brooklyn. He lives in London.
"I've always loved Nick Hornby, and the way he writes characters
and the way he thinks. It's funny and heartbreaking all at the same
time."—Zoë Kravitz
"As funny, compulsive and contemporary a first novel as you could
wish for."—GQ"One of the top ten books of the year."—Entertainment
Weekly"It is rare that a book so hilarious is also so sharp about
sex and manliness, memory and music."—The New Yorker"Mr. Hornby
captures the loneliness and childishness of adult life with such
precision and wit that you'll find yourself nodding and smiling.
High Fidelity fills you with the same sensation that you get from
hearing a debut record album that has more charm and verve and
depth than anything you can recall."—The New York Times Book
Review"Hornby's seamless prose and offhand humor make for one
hilarious set piece after another, as suffering, self-centered Rob
ruminates on women, sex, and Abbey Road. But then he's forced to
consider loneliness, fitting-in, death, and failure—and that is
what lingers."—Spin"Keep this book away from your girlfriend—it
contains too many of your secrets to let it fall into the wrong
hands."—Details
British journalist Hornby has fashioned a disarming, rueful and sometimes quite funny first novel that is not quite as hip as it wishes to be. The book dramatizes the romantic struggle of Rob Fleming, owner of a vintage record store in London. After his girlfriend, Laura, leaves him for another man, he realizes that he pines not for sexual ecstasy (epitomized by a ``bonkus mirabilis'' in his past) but for the monogamy this cynic has come to think of as a crime. He takes comfort in the company of the clerks at the store, whose bantering compilations of top-five lists (e.g., top five Elvis Costello songs; top-five films) typify the novel's ingratiating saturation in pop culture. Sometimes this can pall: readers may find that Rob's ruminations about listening to the Smiths and the Lemonheads‘pop music helps him fall in love, he tells us‘are more interesting than his list of five favorite episodes of Cheers. Rob takes comfort as well in the company of a touring singer, Marie La Salle, who is unpretentious and ``pretty in that nearly cross-eyed American way''‘but life becomes more complicated when he encounters Laura again. Hornby has earned his own place on the London bestseller lists, and this on-the-edge tale of musical addiction just may climb the charts here. First serial to Esquire. (Sept.)
"I've always loved Nick Hornby, and the way he writes characters
and the way he thinks. It's funny and heartbreaking all at the same
time."-Zoe Kravitz
"As funny, compulsive and contemporary a first novel as you could
wish for."-GQ"One of the top ten books of the
year."-Entertainment Weekly"It is rare that a book so hilarious
is also so sharp about sex and manliness, memory and music."-The
New Yorker"Mr. Hornby captures the loneliness and childishness of
adult life with such precision and wit that you'll find yourself
nodding and smiling. High Fidelity fills you with the same
sensation that you get from hearing a debut record album that has
more charm and verve and depth than anything you can recall."-The
New York Times Book Review"Hornby's seamless prose and offhand
humor make for one hilarious set piece after another, as suffering,
self-centered Rob ruminates on women, sex, and Abbey Road. But then
he's forced to consider loneliness, fitting-in, death, and
failure-and that is what lingers."-Spin"Keep this book away from
your girlfriend-it contains too many of your secrets to let it fall
into the wrong hands."-Details
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