Acknowledgements Preface 1 Documenting the Unrepresented World 2 Film-Essays: Kieslowski and Polish Cinema in the 1970s and During the Solidarity Period i Pedestrian Subway: A Short Film About Marriage ii Personnel: Art and Politics iii The Scar: Managers and Their Dilemmas iv The Calm: Life as It Is v Camera Buff: Meditations on Film-making vi Short Working Day: Mechanisms of Power 3 Choices, Chances and Politics i Blind Chance: Variations on Fate ii No End: Requiem for Solidarity 4 Entomological Observations and Metaphysics in Decalogue 5 The Double Life of Kieslowski: European Art Film and the Polish Context i The Double Life of Veronique: Doppelgangers and Puppeteers ii The Three Colours Trilogy: The Long Films About Love
Marek Haltof is Associate Professor at Northern Michigan University in Marquette. He is the author of several books in English and Polish, including Peter Weir: When Cultures Collide (1996) and Polish National Cinema (2002).
Concise and direct.
*Film Quarterly*
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