Introduction: Assembling the Narrative Threads
1: The Pop-Feminist Subject
2: Postmodern Literature in North America: Tracing Pop-Feminism's
Narrative Arc
3: North American Pop-Feminism in the Post-Digital Era
4: British Pop-Feminism on the Literary Marketplace
5: German Pop-Feminism and Generational Narratives
Conclusion: Pop-Feminism and the Future
Emily Spiers is the holder of a prestigious Anniversary Lectureship
at Lancaster University. Her post as Lecturer in Creative Futures
is divided between the Institute for Social Futures and the
Department of Languages and Cultures. Her work explores the core
role that arts and culture have to play both in imagining and
creating better social futures. Previously, Dr Spiers was Lecturer
in German and Comparative Literature at the University of St
Andrews, a
Stipendiary Lecturer in German at Wadham College, Oxford, and a
Research Associate with the Authors and the World hub at Lancaster
University. She holds a D.Phil. and an M.St. in English and Modern
Languages
from the University of Oxford.
Pop-Feminist Narratives clearly should be of interest to feminist
scholars but also should be important for scholars invested in the
study of neoliberalism, especially because Spiers addresses women
writers at times left out of such conversations. ... With careful
attention a variety of twenty-first-century authors and key late
twentieth-century feminist and queer experimental writers, Spiers's
work is an essential contribution to new studies of feminist
non-fiction and fiction.
*The Year's Work in English Studies*
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