Table of Contents

Rebecca Beasley and Philip Ross Bullock: Introduction
Laurence Senelick: "For God, for Tsar, and for Fatherland!" Russians on the British Stage from Napoleon to the Great War
Michael Newton: Oscar Wilde's Vera; or The Nihilists
Charlotte Alston: Britain and the International Tolstoyan Movement
Robert Henderson: The Free Russian Library in London, 1898-1917
Stuart Young: 'Avert Your Eyes and Hold Your Noses': Non-Chekhovian Russian and Soviet Drama on the British Stage, 1900-1940
Philip Ross Bullock: Tsar's Hall: Russian Music in London, 1895-1926
Ramsay Burt: Le Sacre du printemps in London: The Politics of Embodied Freedom in Early Modern Dance and Suffragette Protest
Caroline Maclean: Russian Aesthetics in Britain: Kandinsky, Sadleir, and Rhythm'
Rebecca Beasley: Reading Russian: Russian Studies and the Literary Canon
Ian Patterson: The Translation of Soviet Literature: John Rodker and PresLit
Matthew Taunton: Russia and the British Intellectuals: The Significance of the Stalin-Wells Talk
Laura Marcus: British Film Culture and Soviet Cinema
James Smith: Soviet Films and British intelligence in the 1930s: The Case of Kino Films and MI5
Ken Hirschkop: Afterword: A Time and a Place for Everything: On Russia, Britain, and Being Modern

About the Author

Rebecca Beasley is Tutorial Fellow in English at The Queen's College, Oxford, and University Lecturer in English at the University of Oxford. She is the author of Ezra Pound and the Visual Culture of Modernism (Cambridge University Press, 2007) and Theorists of Modernist Poetry (Routledge, 2007), and is currently working on a book-length study of the impact of Russian culture on British literary modernism. She has also published essays on
modernism and translation, the British 'intelligentsia', and the history of comparative literature. Philip Ross Bullock is Tutorial Fellow in Russian at Wadham College, Oxford, and University Lecturer in Russian at the
University of Oxford. He is the author of The Feminine in the Prose of Andrey Platonov (Legenda, 2005), and Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England (Royal Musical Association Monographs/ Ashgate, 2009), the first book-length study of Newmarch, and of the Edwardian discovery of Russian music more generally. He has published an annotated edition of the letters of Newmarch and Jean Sibelius. He has also written about questions of
translation and reception in Russia and Britain, the influence of Walter Pater on Isaak Babel, Soviet translations of Oscar Wilde, and nineteenth-century Russian reactions to Darwin.