Table of Contents

Acknowledgments
Prologue: What Might Be Josephine Baker's Film History
Introduction: Hey! Ha! Shimmy My Bananas! Refracting Baker's Image
1. Traveling Shoes: Baker's Migrations and the Conundrums of Sweet Paris
2. Shouting at Shadows: The Black American Press, French Colonial Culture, and La sirène des tropiques
3. Unintended Exposures: Baker's Prismatic Ethnological Performance in ZouZou
4. Seeing Double: Parody and Desire in Le pompier de Folier Bergère and Princesse Tam-Tam
Epilogue: Long Live Josephine Baker!
Bibliography
Index

About the Author

Terri Simone Francis is Associate Professor at the University of Miami.

Reviews

Josephine Baker's Cinematic Prism explores Baker's celebrity and ability to have such a hold in the Black film industry even while working almost exclusively with white directors, actors and crew in white—specifically European—spaces. Francis examines the dialogue between Baker and the characters she portrayed, particularly those whose narratives seemed to undermine the stardom they offered. Expertly crafted, Josephine Baker's Cinematic Prism illustrates the most prominent links between Black cinema, conflicting opinions of Baker in the popular press and the broader aspirations for progress towards racial equality.
*The Root*

New Josephine Baker biography chronicles her 'labor on screen' as the first 'global' black woman film star. . . . Josephine Baker's Cinematic Prism is available now and details the early days of Baker's stunning career.
*Atlanta Black Star*

Expertly crafted, Josephine Baker's Cinematic Prism illustrates the most prominent links between Black cinema, conflicting opinions of Baker in the popular press and the broader aspirations for progress towards racial equality.
*The Root*

An insightfully informative work of meticulous research and painstaking scholarship, Josephine Baker's Cinematic Prism is an extraordinary and unreservedly recommended addition to community, college, and university library Cinematic History, African-American Studies, and American Biography collections in general, and Josephine Baker supplemental curriculum studies lists in particular.
*Midwest Book Reviw*

This academic, but accessible deep dive into her film career and the impact of her image in the movies is thorough in considering what influenced her, how she reflected the current culture, and how she continues to be an influence today.  Francis explores how Baker's performance style was inspired by African dance and blues singers like Ethel Waters, Ma Rainey, and Clara Smith (with whom she performed in the US). She put her own comic lens on these varied influences and presented her take with a boldness that would later show in the style of top stars like Diana Ross and Beyoncé. . . . This is an impressively thorough examination of a relatively short period of Baker's career that nevertheless had a significant impact on her image and legacy.
*A Classic Movie Blog*

The ability of a figure to be discovered and rediscovered with new fascination and excitement time and again is the mark of a true legend. The life and career of the international sensation and multitalented performer Josephine Baker has thus been solidified. . . . Josephine Baker's Cinematic Prism follows through with exactly what it announces as its goal in its first few pages: to "treat Baker with care and seriousness as a producer of knowledge" (4). . . . Baker's cinematic prism engenders a way of knowing, thinking, and seeing that transcends the limits of space-time and productively reconsiders how Black women's labor can be assessed and valued. The method through which Francis conducts this thoughtful, yet rigorous, analysis will hopefully inspire those who evoke Baker in the future to do so in the same collaborative spirit.
*Film Quarterly*

In promoting Baker's stature as an American star, Francis has crafted an impressive and pressingly important book. . . . Refreshingly contemporary in its orienation, the light that Josephine Baker's Cinematic Prism opens onto its eponymous star brings its author's crucial perspective to an essential history of transnational cinema and performance.
*History*