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Contents
List of Illustrations
Acknowledgments
Introduction
Part 1: Configurations of Séances
1 The Medium on the Stage: Theatricality and Performance in the Spirit Séance
2 Parlor Games: Play and Social Life in the Haunted House
Part 2: How to Sell a Spirit
3 Breaking the News: Controversy, Sensation, and the Popular Press
4 Mediums and Stars: Religion, Consumerism, and Celebrity Culture
Part 3: Spirit and Matter
5 Stranger than Fiction: Print Media, Automatic Writing, and Popular Culture
6 The Marvels of Superimposition: Spirit Photography and Spiritualism’s Visual Culture
Afterward
Notes
Bibliography
Index
Simone Natale is Lecturer in Communication and Media Studies at Loughborough University, UK.
“This is an ambitious, overdue book, steeped in the period’s
popular culture, and offering a fresh, insightful perspective on a
topic familiar to its scholars.”—Susan Zieger Media History
“Natale’s study offers a helpful corrective to approaches that
ignore the entertainment value of spiritualism.”—Pericles Lewis Los
Angeles Review of Books
“An erudite, original examination of Victorian spiritualism and the
rise of modern media. . . . This entertaining study fills a gap in
the slighted investigation of spiritualism’s rise as a religious
and cultural phenomenon. Highly recommended.”—D. B. Wilmeth
Choice
“The key achievement of Natale’s book is his thorough documentation
of the ways the spiritualist movement was, in spite of its framing
as a ‘scientific religion,’ indistinguishable from other kinds of
performance, and a vigorous participant in mechanisms of the
growing entertainment industry.”—James P. Stanley Public Books
“An engaging and enlightening history of Spiritualism’s growth from
a unique perspective.”—Sharon DeBartolo Carmack PsyPioneer
Journal
“Approaching Victorian supernaturalism as popular spectacle, Natale
makes a compelling argument that nineteenth-century spiritualism
made a significant contribution to what would become the dominant
religion of the twentieth century: the entertainment industry.
Rather than seeing the spiritualists and their energetic followers
as gullible or deluded, Natale explores the more fascinating
possibility that medium, circle, and audience helped redefine the
possibilities of domestic leisure and public performance.”—Jeffrey
Sconce,Northwestern University
“We all know that the supernatural is entertaining. Just turn on
your television set or go to the movies. But this entertaining?
Supernatural Entertainments is one of the most original books I
have read in a long time. Simone Natale’s embrace of the history of
technology, celebrity studies, material culture, popular culture,
photography, and film studies to plumb the immediate historical
background of the modern supernatural also makes it astonishingly
capacious and interdisciplinary. Get ready for a ride. Or a
show.”—Jeffrey J. Kripal,author of Mutants and Mystics: Science
Fiction, Superhero Comics, and the Paranormal
“Supernatural Entertainments will undoubtedly inspire new studies
of Victorian Spiritualism and occultism to further probe the nature
and consequences of otherworldly amusements.”—Christine Ferguson
Victorian Studies
“[This book] is a strong contribution to a burgeoning field of
haunted technology and uncanny media history, has fantastic
illustrations, and is always highly readable.”—Roger Luckhurst
Magic, Ritual, and Witchcraft
“An important addition to the growing body of rigorous scholarship
on international spiritualism. Natale’s argument, however, is
fairly unexpected, even unique, inasmuch as it convincingly focuses
on spiritualism as a form of show business.”—Matthew Solomon Film
Quarterly
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