List of Illustrations
Introduction and acknowledgments
Chapter 1: Islamic Architecture in Umayyad al-Andalus and
Aghlabid IfriqiyaChapter 2: Rival Caliphates in the West during the
Tenth Century
Chapter 3: The Long Eleventh Century: Dissolution of Empire
Chapter 4: The Almoravids and Almohads ca. 1050-ca. 1250
Chapter 5: The Nasrids in al-Andalus
Chapter 6: The Heirs of the Almohads in North Africa, ca.
1250-1500
Chapter 7: Caught between the Ottomans and the Hapsburgs:
Chapter 8: The Sharifan Dynasties of Morocco 1500-1800
Chapter 9: Epilogue: The Legacies of Maghribi
Architecture
Glossary
Works Cited
Index
Jonathan M. Bloom was the Norma Jean Calderwood
University Professor of Islamic and Asian Art at Boston
College and the Hamad bin Khalifa Endowed Chair of Islamic Art
at Virginia Commonwealth University.
“For more than a millennium, as this richly illustrated volume
affirms, Islamic architectural styles prospered around the western
and southern Mediterranean - from the Alhambra to the Cappella
Palatina.”—Apollo Magazine
“Offers a tantalising glimpse into the richness of the buildings of
the Western Mediterranean, leaving the reader hungry for more- in
short this volume serves as the perfect amuse-bouche for the
non-specialist, and a welcome contribution for specialists in need
of a competent, survey text to introduce Islamicate architecture of
North Africa and al-Andalus to new students.”—Sarah Slingluff,
Al-Masāq (Journal of the Medieval Mediterranean)
“[A] thorough and well-researched book, which draws attention to
the fascinating histories of a variety of different Muslim peoples,
as well as to the architectural history of regions across the
Islamic West…Engaging and informative...Bloom persuasively suggests
that the transmission of architectural knowledge, ideas, and motifs
was a great deal more complex than scholars previously
thought.”—Lydia Ann Jesudason, Aspectus [Journal of Visual Culture,
University of York]
“A confident and accurate book that could only be accomplished by a
mature scholar...Far more than this, it is a book of someone whose
enthusiasm for his subject is as strong as his ability to use a
broad knowledge of Islamic and European art to focus it.”—Nancy
Steinhardt, Orientations
“A formidable collection of architectural knowledge...It is made
more accessible by being woven into a rich narrative thread that
takes the reader from the medieval to the modern world...An
unparalleled collection through which the Islamic architectural
history of the region can be better understood and
relished.”—Shahed Saleem, Transactions of the Ancient Monuments
Society
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