Frances Osborne was born in London and studied philosophy and modern languages at Oxford University. She is the author of Lilla’s Feast. Her articles have appeared in The Daily Telegraph, The Times, The Independent, the Daily Mail, and Vogue. She lives in London with her husband, a Member of Parliament, and their two children.
“Engrossing and beautifully written. . . . [An] affecting story.”
—San Francisco Chronicle
“Intoxicating.” —People
“If notorious relatives make for the best dinner-party anecdotes,
then Frances Osborne should be able to dine out for decades….
Enthralling.” —The Plain Dealer
“Idina Sackville . . . could have stepped out of an
Evelyn Waugh satire about the bright young things who partied away
their days in the ‘20s and ‘30s, and later crashed and burned. . .
. Frances Osborne . . . conjure[s] a vanished world with novelistic
detail and flair.” —The New York Times
“An engaging book, drawing a revealing portrait of a remarkable
woman and adding humanity to her ‘scandalous’ life. . . . Ms.
Osborne has succeeded in her stated aim, to write a book that ‘has
in a way brought Idina back to life.’ And what a life it was.” —The
Wall Street Journal
“Vibrant. . . . Osborne connects vast expanses of the dots that
formed Idina’s reality: the gender inequalities in Edwardian
England, the economic imperatives of colonialism, the mores of
upper-class adultery, the differences between Idina’s aristocratic
father . . . and her merely wealthy mother.” —Newsday
“Intelligent, moving, and packed with exquisite detail.”
—Providence Journal
“[Idina Sackville’s] life story, speckled with the names of the
rich and famous, is a miniature history lesson, bringing into sharp
focus both world wars, the Jazz Age, and the colonization of Kenya.
. . . Sackville’s passion lights up the page.” —Entertainment
Weekly
“[A] rumbustious and harrowing biography that takes us from London
to Newport to Kenya. . . . A feast for the Anglophile.” —The New
York Times Book Review
“Brilliant and utterly divine. . . . A breath of fresh air from a
vanished world.” —The Daily Beast
“The Bolter is a biographical treat.” —Good Housekeeping
“Fascinating. . . . Paint[s] an interesting picture of Edwardian
England, its social mores and rigors giving way to the wildness of
pre-depression Europe.” —Minneapolis Star Tribune
“An engaging, definitive final look back at those naughty people
who, between the wars, took their bad behavior off to Kenya and
whose upper-class delinquency became gilded with unjustified
glamour.” —Financial Times
“A sympathetic but evenhanded portrait of a woman driven by needs
and desires even she didn’t understand.” —The Columbus Dispatch
“Truly interesting. Osborne paints an enthralling portrait of upper
class English life just before, during and immediately after the
Great War. Frivolous, rich, sexy [and] achingly fashionable.” —The
Observer (London)
“Even today Lady Idina Sackville could get tongues wagging. . . . A
lively portrait of the UK-born troublemaker, a woman who took
countless lovers, raised hell in England and Africa, inspired
novels by Nancy Mitford and carried around a dog she named Satan. .
. . Through [Idina’s] story, we not only get a sexy and
difficult-to-put-down read, we also get a good look at the shadow
side of this prim and proper era and the real women who defied
convention to live in it.”—Jessa Crispin, “Books We Like,” NPR
“A racy romp underpinned by some impressive research.” —The Sunday
Telegraph (London)
“Passionate and headstrong, Lady Idina was determined to be free
even if the cost was scandal and ruin. Frances Osborne has
brilliantly captured not only one woman’s life but an entire lost
society.” —Amanda Foreman, author of Georgiana: Duchess of
Devonshire
“Told very much like a novel, The Bolter introduces readers to a
world where every rule is broken and creating a scene is the latest
fashion accessory.” —The Daily Texan
“Not only is it a beautifully written, intriguing chronicle of a
frenetic, privileged, and profoundly sad life, it catches a social
group and the mad-cap lives they led—so luxurious, so wasted. . . .
Superb.” —Barbara Goldsmith, author of Obsessive Genius and Little
Gloria. . . Happy at Last
“Drawing on family letters, Osborne’s portrait creates sympathy not
for Idina’s reckless behavior but for the emotional emptiness that
provoked her far-flung, self defeating yet undeniably glamorous
search for love.” —More
“Fascinating. . . . Beautifully written. . . . Frances Osborne
brings the decadence of Britain’s dying aristocracy vividly to life
in this story of scandal and heartbreak.”—Simon Sebag Montefiore,
author of Young Stalin and Stalin: The Court of the Red Tsar
“Sex, money, glamour, and scandal make Idina Sackville’s story hard
to put down. What brings that story to life is the courage of
an incorrigibly stylish survivor. Searching for the woman behind
the legend, Osborne [gives us] a heroine impossible to resist.”
—Frances Kiernan, author of The Last Mrs. Astor and Seeing
Mary Plain: A life of Mary McCarthy
Lady Idina Sackville must be among the last of the titled and scandalous Brits of the post-World War I era whose lives have not yet been recorded in biography. Osborne, her great-granddaughter, has filled that small gap with this gossipy story, which takes its name from a sad minor character that novelist Nancy Mitford is said to have modeled on Idina in The Pursuit of Love. The Mitford connection is pretty much it for a claim to fame. In 1919 Idina deserted a fabulously wealthy husband and two toddlers to marry a lover and buy a farm in her beloved Kenya, where she turned up again (and usually built another house) with each of her subsequent three husbands. Osborne recounts with gusto the byzantine sexploits of Idina, her husbands, and their many houseguests. She claims that Idina also served as the model for the vamp heroine of Michael Arlen's sensational 1920s best seller The Green Hat. Verdict This is not a work of great depth; typical of the haphazard construction of the book, Osborne forgets to tell us if either Mitford or Arlen actually knew Idina. Still, those who enjoy stories (fiction or nonfiction) of the past's oversexed and idle rich (and there are lots of these readers) will love this book.-Stewart Desmond, New York City Copyright 2009 Reed Business Information.
"Engrossing and beautifully written. . . . [An] affecting story."
-San Francisco Chronicle
"Intoxicating." -People
"If notorious relatives make for the best dinner-party anecdotes,
then Frances Osborne should be able to dine out for decades....
Enthralling." -The Plain Dealer
"Idina Sackville . . . could have stepped out of an Evelyn Waugh
satire about the bright young things who partied away their days in
the '20s and '30s, and later crashed and burned. . . . Frances
Osborne . . . conjure[s] a vanished world with novelistic detail
and flair." -The New York Times
"An engaging book, drawing a revealing portrait of a remarkable
woman and adding humanity to her 'scandalous' life. . . . Ms.
Osborne has succeeded in her stated aim, to write a book that 'has
in a way brought Idina back to life.' And what a life it was."
-The Wall Street Journal
"Vibrant. . . . Osborne connects vast expanses of the dots
that formed Idina's reality: the gender inequalities in Edwardian
England, the economic imperatives of colonialism, the mores of
upper-class adultery, the differences between Idina's aristocratic
father . . . and her merely wealthy mother." -Newsday
"Intelligent, moving, and packed with exquisite detail."
-Providence Journal
"[Idina Sackville's] life story, speckled with the names
of the rich and famous, is a miniature history lesson, bringing
into sharp focus both world wars, the Jazz Age, and the
colonization of Kenya. . . . Sackville's passion lights up the
page." -Entertainment Weekly
"[A] rumbustious and harrowing biography that takes us
from London to Newport to Kenya. . . . A feast for the Anglophile."
-The New York Times Book Review
"Brilliant and utterly divine. . . . A breath of fresh air from a
vanished world." -The Daily Beast
"The Bolter is a biographical treat." -Good
Housekeeping
"Fascinating. . . . Paint[s] an interesting picture of
Edwardian England, its social mores and rigors giving way to the
wildness of pre-depression Europe." -Minneapolis Star
Tribune
"An engaging, definitive final look back at those naughty
people who, between the wars, took their bad behavior off to Kenya
and whose upper-class delinquency became gilded with unjustified
glamour." -Financial Times
"A sympathetic but evenhanded portrait of a woman driven
by needs and desires even she didn't understand." -The Columbus
Dispatch
"Truly interesting. Osborne paints an enthralling portrait
of upper class English life just before, during and immediately
after the Great War. Frivolous, rich, sexy [and] achingly
fashionable." -The Observer (London)
"Even today Lady Idina Sackville could get tongues
wagging. . . . A lively portrait of the UK-born troublemaker, a
woman who took countless lovers, raised hell in England and Africa,
inspired novels by Nancy Mitford and carried around a dog she named
Satan. . . . Through [Idina's] story, we not only get a sexy and
difficult-to-put-down read, we also get a good look at the shadow
side of this prim and proper era and the real women who defied
convention to live in it."-Jessa Crispin, "Books We Like," NPR
"A racy romp underpinned by some impressive research."
-The Sunday Telegraph (London)
"Passionate and headstrong, Lady Idina was determined to
be free even if the cost was scandal and ruin. Frances Osborne has
brilliantly captured not only one woman's life but an entire lost
society." -Amanda Foreman, author of Georgiana: Duchess of
Devonshire
"Told very much like a novel, The Bolter introduces
readers to a world where every rule is broken and creating a scene
is the latest fashion accessory." -The Daily Texan
"Not only is it a beautifully written, intriguing
chronicle of a frenetic, privileged, and profoundly sad life, it
catches a social group and the mad-cap lives they led-so luxurious,
so wasted. . . . Superb." -Barbara Goldsmith, author of
Obsessive Genius and Little Gloria. . . Happy at Last
"Drawing on family letters, Osborne's portrait creates
sympathy not for Idina's reckless behavior but for the emotional
emptiness that provoked her far-flung, self defeating yet
undeniably glamorous search for love." -More
"Fascinating. . . . Beautifully written. . . . Frances
Osborne brings the decadence of Britain's dying aristocracy vividly
to life in this story of scandal and heartbreak."-Simon Sebag
Montefiore, author of Young Stalin and Stalin: The Court of the
Red Tsar
"Sex, money, glamour, and scandal make Idina Sackville's
story hard to put down. What brings that story to life is the
courage of an incorrigibly stylish survivor. Searching for the
woman behind the legend, Osborne [gives us] a heroine impossible to
resist." -Frances Kiernan, author of The Last Mrs. Astor and
Seeing Mary Plain: A life of Mary McCarthy
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