Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship 2. Physique Cinema, 1945-1969: Hard to Imagine 3. Transgressive Cinema: Lesbian Independent Film 4. The New Queer Cinema, Part Two: Forms 5. The Monster and the Homosexual 6. Queer Negotiations of the Hollywood Musical 7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception 10. Judy Garland and Gay Men 11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics 12. 'Out of the Closet and into the Universe': Queers and Star Trek 13. Reviewing Queer Viewing
Harry M. Benshoff is an Assistant Professor in Radio, Television
and Film at the University of North Texas. He is the author of
Monsters in the Closet: Homosexuality and the Horror Film
(Manchester University Press, 1997) and co-author (with Sean
Griffin) of America on Film: Representing Race, Class, Gender and
Sexuality at the Movies (Blackwell Publishers, forthcoming,
2004)
Dr. Sean Griffin is an Assistant Professor in the Division of
Cinema-Television at Southern Methodist University. He is the
author of Tinker Belles and Evil Queens: The Walt Disney Company
from the Inside Out (NYU Press, 2000), and co-author (with Harry M.
Benshoff) of America on Film: Representing Race, Class, Gender and
Sexuality at the Movies (Blackwell Publishers, forthcoming,
2004).
'Four Stars ... there is much to appreciate here' - Film Review
 |
Ask a Question About this Product More... |
|
