Table of Contents

1. Foreword 2. Introduction 3. Adopted Spaces 3.1. 100 Club, London, UK, 1942 3.2. Birdland, New York, USA, 1949–1999 3.3. Ryman Auditorium, Nashville, USA, Hart Freeland Roberts, 1994 4. Adapted Spaces 4.1. HighLine Ballroom, New York, USA, Bluarch, 2007 4.2. VIP, Saint-Nazaire, France, LIN, 2007 4.3. O2 Arena, London, UK, Populous, 2007 4.4. O2 Arena, Dublin, Populous, Ireland, 2008 4.5. Knitting Factory, Brooklyn NY, USA, HeCho Inc., 2009 5. Dedicated Spaces 5.1. Grand Ole Opry, Nashville, USA, Welton Becket Assoc., 1974 5.2. The Cavern Club, Liverpool, UK, David Backhouse Architects, 1984 5.3. Colosseum, Caesar’s Palace, Las Vegas, USA, Scéno Plus, 2003 5.4. The Joint by Rogue, Las Vegas, USA, Scéno Plus, 2007 5.5. Liverpool Echo Arena, UK, Wilkinson Eyre, 2007 5.6. Sun Valley Music Pavilion, Idaho, USA, FTL, 2008 5.7. De Vorstin, Hilversum, Netherlands, Cie Arkitekten, 2010 6. Mobile Spaces 6.1. Valhalla, Rudi Enos, 2000 6.2. Rolling Stones Stage Set, ‘A Bigger Bang’, StuFish, 2005 6.3. Martina McBride Stage Sets, Studio 10A 2006–10 6.4. U2 360˚ Stage Set, Mark Fisher, StuFish, 2009–11 6.5. Glastonbury Festival, Pilton, Somerset, UK, 1971–2010

About the Author

Robert Kronenburg is an architect and holds the Roscoe Chair of Architecture at the University of Liverpool, UK. His long-standing research into innovative forms of architectural design is renowned internationally. His books include Houses in Motion, Spirit of the Machine, Portable Architecture and Flexible: Architecture that Responds to Change, and he is co-editor of the Transportable Environments book series.