Table of Contents

Selected Contents: Part 1: Vision Essay: Vision: The Eye, Perception and Conventions of Sight Essay: Mediated Vision: Photography & Optical Devices Tools, Materials & Processes: Vision Part 2: Light and Shadow Essay: Light and Shadow Tools, Materials & Processes: Light and Shadow Part 3: Copying, Capturing and Reproducing Essay: Copying, Capturing & Reproducing Tools, Materials & Processes: Reproductive Processes Part 4: Editing, Presentation and Evaluation Essay: Series and Sequence Essay: Word and Image Tools, Materials & Processes: Editing, Presentation and Evaluation

About the Author

Rebekah Modrak is a studio artist whose work has been shown at The Sculpture Center, Carnegie Museum of Art, and Kenyon College. She is Associate Professor in the School of Art & Design at the University of Michigan where she teaches courses involving photography, animation, mixed media, and photographic history. Bill Anthes is Associate Professor of Art History at Pitzer College. He has received awards from the Georgia O'Keeffe Museum Research Center, the Center for the Arts in Society at Carnegie Mellon University, the Smithsonian Center for Folklife and Cultural Heritage, and the Creative Capital/Warhol Foundation Art Writers Grant Program.

Reviews

'Reframing Photography is excellent -- very well-written, beautifully designed, clear and innovative in its structure -- an ideal introduction to the current debates about theory and practice in photography.' -- Louise Milne, Edinburgh Napier University, UK 'Reframing Photography is a wonderful accomplishment with its seamless treatments of theory and a liberated sense of photographs, how they can be made, and how they can look. It will end the senseless separation of photography and art, and technique from idea, right from the beginning. It reframes photography education.' -- Terry Barrett, University of North Texas, USA 'The essays effortlessly link photography to a history of ideas, not simply a history of cameras and chemical processes. The book does not separate historical work from contemporary work, nor does it separate technique from theory. Past and present are in constant communication with the reader who becomes aware of inter-generational, historical, technological, cultural and transdisciplinary influences in photographic practice. This is how the best teachers understand the world and relate information to their students. A contemporary education in photographic practice has come of age with this book.' -- Barbara DeGenevieve, School of the Art Institute of Chicago, USA 'This is a timely book which will be of enormous help to photography and arts students. It combines photography history, useful descriptions of artist's practices and ideas, and technical information and tips, and encourages experimentation. The volume and website demystify a lot of aspects of practice that are not covered in more conventional books, and make it clear how enjoyable fine art photography can be.' -- Michelle Henning, University of the West of England, UK 'Modrak and Anthes' handbook has all the qualities to become a pioneer in the effors to bridge the gap between the technical and the theoretical. Their work strikes a perfect balance between what one can find in technical handbooks on photography and what one should expect from a theoretically well-inspired study of the medium.' - Leonardo On-line