Table of Contents

Preface

I. Biographical Background

II. Critical Survey
Auteur Criticism
Structural Criticism
Social and Political Hitchcock
Psychoanalytic Criticism
Feminist Criticism
Hitchcock and Film History

III. Filmography
1. The Pleasure Garden 1925
2. The Mountain Eagle 1926
3. The Lodger, a Story of the London Fog 1926
4. Downhill 1927
5. Easy Virtue 1927
6. The Ring 1927
7. The Manxman 1928
8. The Farmer's Wife 1928
9. Champagne 1928
10. Blackmail1929
11. Juno and the Paycock 1930
12. Elstree Calling 1930
13. Murder! 1930
14. Mary 1930
15. The Skin Game 1931
16. Number Seventeen 1932
17. Rich and Strange 1932
18. Waltzes From Vienna 1933
19. The Man Who Knew Too Much 1934
20. The 39 Steps 1935
21. Secret Agent 1936
22. Sabotage 1937
23. Young and Innocent 1937
24. The Lady Vanishes 1938
25. Jamaica Inn 1939
26. Rebecca 1940
27. Foreign Correspondent 1940
28. Mr. and Mrs. Smith 1941
29. Suspicion 1941
30. Saboteur 1942
31. Shadow of a Doubt 1943
32. Lifeboat 1944
33. Bon Voyage 1944
34. Aventure Malgache 1944
35. Spellbound 1945
36. Notorious 1946
37. The Paradine Case 1948
38. Rope 1948
39. Under Capricorn 1949
40. Stage Fright 1950
41. Strangers on a Train 1950
42. I Confess 1951
43. Dial M for Murder 1954
44. Rear Window 1954
45. To Catch a Thief 1954
46. The Trouble with Harry 1955
47. The Man Who Knew Too Much 1956
48. The Wrong Man 1957
49. Vertigo 1957
50. North by Northwest 1959
51. Psycho 1960
52. The Birds 1963
53. Mamie 1964
54. Torn Curtain 1966
55. Topaz 1969
56. Frenzy 1972
57. Family Plot 1976

IV. Annotated Bibliography of Writings by and About
Hitchcock

V. Supplemental Bibliographic Citations

VI. Other Film Credits and Film-Related Activity

VII. Archival Sources

VIII. 16mm Film Distributors in the United States

IX. 1990-1994 Addendum to Annotated
Bibliography

Index of Filmography
Index of Bibliography, Archives, and Distributors

About the Author

Jane E. Sloan is Women's Studies Librarian at Rutgers University. Formerly Cinema Librarian at the University of Southern California, she is the author of Robert Bresson: A Guide to References and Resources (1983).

Reviews

"Impressive. . . . Following biographical and critical essays, the bulk of the volume is taken up with what can only be described as the definitive Hitchcock filmography, including complete credits for each film and extremely long synopses which are obviously based on viewings of the extant films."--Anthony Slide, "Classic Images