Table of Contents

Acknowledgements; List of illustrations; Introduction; 1. Playing court: 1601–1692; A night at the theatre 1: Pompey, Smock Alley, February 10, 1663; 2. Stage rights, 1691–1782; A night at the theatre 2: Mahomet, Smock Alley, March 2, 1754; 3: 'Our National Theatre': 1782–1871; A night at the theatre 3: She Stoops to Conquer and Tom Thumb, Theatre Royal, Hawkins Street, December 14, 1822; 4: 'That Capricious Spirit': 1871–1904; A night at the theatre 4: The Playboy of the Western World and Riders to the Sea, Abbey Theatre, January 29, 1907; 5: 'Not understanding the clock': 1904–1921; A night at the theatre 5: The Plough and the Stars, Abbey Theatre, February 11, 1926; 6: Aftermath: 1922–1951; A night at the theatre 6: Waiting for Godot, Pike Theatre, October 28, 1955; 7: Phoenix flames: 1951–1972; A night at the theatre 7: Translations, Guildhall, Derry, September 23, 1980; A night at the theatre 8: Babel: 1972–2000; A millennial flourish: conclusions; Chronology.

Promotional Information

An essential, entertaining and highly original guide to the history and performance of Irish theatre.

About the Author

Christopher Morash is Senior Lecturer in English at the National University of Ireland, Maynooth. He has published extensively on Irish theatre and Irish cultural studies. He is the author of Writing the Irish Famine (1995), and Consultant-Editor for the theatre section of the Encyclopaedia of Ireland.

Reviews

'An excellent book that covers an astonishing range of plays. An essential study for anyone interested in Irish theatre.' Frank McGuinness 'A brilliant and ground-breaking book written with great wit and elegance. Morash provides an immensely enlightening and entertaining approach, quite unlike anything that has been done before. This brilliant book establishes the social significance of theatre in Ireland. I haven't read anything else that gives such a sense of the theatrical present of past ages.' Bernard O'Donoghue 'Christopher Morash has produced an excellent book. A History of Irish Theatre 1601-2000 covers an astonishing range of plays, players and their audiences. It charts with impressive clarity the directions that Irish writers have followed in the making of theatre. He crosses the bridge from library to theatre with great accuracy. This book is an essential study for anyone interested in extending the critical and creative vocabulary of its subject.' Frank McGuinness 'The author's scholarship is admirable as his touch is light.' Irish Sunday Independent 'Unearths fascinating social and historical detail ...' Irish Independent 'A masterful study ... Morash tells his story in a beautifully crisp prose which is joyfully free of academic encumberances. Morash's politico-historical account, combined with his encyclopedic knowledge of the country's stage, [makes this] a brilliantly balanced study.' Scotland on Sunday 'Morash's story ... is told in a highly commendable manner. The research that has gone into the making of the book is impeccable ...' Anglistik '... contains an invaluable chronology of theatre and politics ... there are no barrens in A History of Irish Theatre. It justly won the theatre Book Prize, 2002. Future scholarly work will have to start from here and theatre lovers will remain forever indebted to Morash's highly entertaining, thought-provoking, and scholarly triumph.' YES 'Overall, Morash's writing style is agreeable, fluid, light, but never lightweight, making it a delightful read. ... What makes this book an important contribution is its readability, its relatively jargon free approach, its focus on performance and the sense of ease Morash brings to the task.' Irish Theatre Magazine '... wonderful ... By insisting on the use of archival evidence - as well as textual interpretation - Morash demonstrates that Irish theatre criticism may be speculative without being fanciful, imaginative without being undisciplined.' Field Day Review