Table of Contents

Introduction; 1. The challenges to cinema as an art; 2. Language and realism; 3. Cinematic authorship; 4. Understanding cinema; 5. Cinematic narration; 6. Emotion and identification; 7. The role of the medium; Bibliography; Index.

Promotional Information

A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.

About the Author

Berys Gaut is Professor of Philosophy at the University of St Andrews. He is the author of Art, Emotion and Ethics (2007) and co-editor of The Creation of Art (2003).

Reviews

'In A Philosophy of Cinematic Art, Berys Gaut offers profound and original answers to the two fundamental questions of classical film theory: what is the nature of cinematic specificity, and what makes cinema an art form? Along the way, he writes with characteristic depth, clarity, and, above all, good sense, on the central topics of film theory, and his extended treatment of digital cinema, hitherto neglected by philosophers, is both timely and illuminating. As the first work of analytic film theory to bridge the divide between classical film theory and the contemporary philosophy of film, A Philosophy of Cinematic Art is of signal importance to the history of film theory and it should be read widely both by film scholars and philosophers of art.' Richard Allen, New York University

'Berys Gaut's overall achievement in A Philosophy of Cinematic Art is substantial, among other things, for his persuasive argument for medium specificity, and for his attention to new forms of cinema. This accomplished book is essential in the library of anyone interested in the philosophy of cinema.' Notre Dame Philosophical Reviews

'… [one of] the most important publications on the topic … will provide theoretical groundwork for analytically inclined film students for a long time …' Szilárd Orosz, Hungarian Journal of English and American Studies