Table of Contents

*Frontmatter, pg. i*Contents, pg. v*Acknowledgments, pg. ix*Introduction, pg. 1*The Concept of Reality and the Possibility of the Novel, pg. 29*The Transformation of the Concept of Imitation in Eighteenth-Century French Esthetics, pg. 49*Fiction-The Filter of History: A Study of Sir Walter Scott's Waverley, pg. 86*Art and Philosophy of Art Today: Reflections with Reference to Hegel, pg. 107*Syntax and Obscurity in Poetry: On Mallarme's/4 Ia nue accablante, pg. 134*Coleridge, Baudelaire, and Modernist Poetics, pg. 150*Group Interpretation of Apollinaire's Arbre (From Cal/igrammes), pg. 182*Chance as Motivation for the Unexplained in Historical Writing: Notes on Archenholtz's History of the Seven Years' War, pg. 211*Bridging the Gap Between Heine the Poet and Heine the Journalist, pg. 225*On the Importance of the Theory of the Unconscious for a Theory of No Longer Fine Art, pg. 260*Overstepping Esthetic Limits in Visual Art: Four Aspects of the Problem, pg. 279*Myth as a Recurrent Theme in Greek Tragedy and Twentieth-Century Drama, pg. 295*Patterns of Communication in Joyce's Ulysses, pg. 320*The "New Myth" of Revolution-A Study of Mayakovsky's Early Poetry, pg. 357*Story as Exemplum-Exemplum as Story: On the Pragmatics and Poetics of Narrative Texts, pg. 389*The Fall of Literary History, pg. 418*History of Art and Pragmatic History, pg. 432*Notes on Contributors, pg. 465*Index of Names, pg. 471