Table of Contents

Acknowledgements
Introduction: Queering the Gothic - William Hughes and Andrew Smith
1. ‘Love in a Convent’: Or, Gothic and the Perverse Father of Queer Enjoyment - Dale Townshend
2. ‘Do You Share My Madness?’: Frankenstein’s Queer Gothic - Mair Rigby
3. Daniel Deronda’s Jewish Panic - Royce Mahawatte
4. ‘That mighty love which maddens one to crime’: Medicine Masculinity, Same-Sex Desire and the Gothic in Teleny - Diane Mason
5. Gothic Landscapes, Imperial Collapse, and the Queering of Adela Quested in E. M. Forster’s A Passage to India - Ardel Thomas
6. Antonia White’s Frost in May: Gothic Mansions, Ghosts and Particular Friendships - Paulina Palmer
7. Devouring Desires: Lesbian Gothic Horror - Gina Wisker
8. ‘The taste of blood meant the end of aloneness’.Vampires and Gay Men in Poppy Z. Brite’s Lost Souls - William Hughes
9. Michael Jackson’s Queer Funk - Steven Bruhm
10. Death, Art, and Bodies: Queering the Queer Gothic in Will Self’s Dorian - Andrew Smith
Notes on Contributors
Index

About the Author

William Hughes is Professor of Gothic Studies at Bath Spa University Andrew Smith is Professor of English Studies at the University of Glamorgan where he is Co-Director of the Research Centre for Literature, Arts and Science (RCLAS)