Chapter 1: Sherman
Chapter 2: Industrial Strength Sherman: the Man, the Idea, the
Myth
Chapter 3: Sherman Among the Historians
Chapter 4: Still Marching: Sherman in Literature
Chapter 5: Long Remember: Sherman on Stage and Screen, in Song and
Poetry
Chapter 6: In Sherman's Tracks
Chapter 7: The March and Its Myth
Edward Caudill and Paul Ashdown are professors of journalism and electronic media at the University of Tennessee. They are co-authors of The Myth of Nathan Bedford Forrest (2005) and The Mosby Myth: A Confederate Hero in Life and Legend (2002). Caudill is author of Darwinian Myths: The Legends and Misuses of a Theory (1997) and co-author of The Scopes Trial: A Photographic History (2000). Ashdown is editor of James Agee: Selected Journalism (1985, 2004) and author of A Cold Mountain Companion (2004).
This book is a valuable resource. The breadth of coverage—history,
literature, poetry, song, stage, and screen—is extremely
impressive.
*Civil War Book Review*
Having read the first two excellent books—on Forrest and Mosby—in
this unique trilogy, I opened this final book with high
expectations of a masterful achievement. In both fact and myth,
Sherman was and clearly still is multifaceted. On the eve of the
Civil War Sesquicentennial, Caudill and Ashdown eloquently render a
multifaceted portrait of a hell of a man.
*David Madden, founding director of the United States Civil War
Center*
As is often true in our history, the mythology of major events has
a history of its own, shaping our visions of the past. Edward
Caudill and Paul Ashdown have traced this Civil War scar in
Southern memory to its roots in reality, in memoirs, in histories,
in the press, and in mythology, basing their story on rich primary
sources and portraying events with the same elegant language they
have used in other important Civil War interpretative
histories.
*Donald L. Shaw, University of North Carolina at Chapel Hill*
A major contribution to Civil War historiography. . . cannot be
overlooked. Recommended for all history collections—Civil War,
social, or intellectual—in all libraries.
*Library Journal*
Integral to the study of public history and collective memory to
deliver a cutting-edge analysis.
*America's Civil War*
Perhaps the most impressive thing about mass media is their ability
to shape historical memory and imagination. Sherman's March in Myth
and Memory is one of the best examples now available that shows how
this phenomenon works in transforming a region's understanding of
itself. Professors Caudill and Ashdown are to be highly commended
for this first rate work.
*Bruce J. Evensen, DePaul University*
Interesting and exceptionally well-sourced. . . . Thoroughly
enjoyable. It provides a worthy new addition to the now burgeoning
field of scholarship about media and public memory and would be
useful not only to historians but in graduate seminars for students
of both history and mass communication.
*Journalism History*
Recommended.
*Book Review Digest*
The images of Gen. William T. Sherman's men marching through
Georgia seemingly remain burned into the American historical
memory. Edward Caudill and Paul Ashdown here provide their solidly
researched look at how the myth and legends of the march have been
created. Works such as this provide an important starting place for
further study of those myths that still march on.
*Journal of American History*
Caudill and Ashdown have constructed a useful book, filled with
examples from humor and popular culture that reveal Sherman's place
in history and memory. Such memory studies pertaining to the Civil
War enable us to better grasp the complexities of this defining
moment in American history.
*Journal of Southern History*
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