Table of Contents

Contents: Introduction; Camping on the borders of Europe, Ivan Raykoff; Return to ethnicity: the cultural significance of musical change in the Eurovision Song Contest, Alf Björnberg; Eurovision at 50: post-wall and post stonewall, Robert Deam Tobin; Chanson, canzone, Schlager, and song: Switzerland's identity struggle in the Eurovision Song Contest, Michael Baumgartner; Chasing the 'magic formula' for success: Ralph Siegel and the Grand Prix Eurovision de la Chanson, Thorsten Hindrichs; Fernando, Filippo, and Milly: bringing blackness to the Eurovision stage, Lutgard Mutsaers; Finland, zero points: nationality, failure, and shame in the Finnish media, Mari Pajala; The socialist star: Yugoslavia, Cold War politics and the Eurovision Song Contest, Dean Vuletic; Lithuanian contests and European dreams, Bjorn Ingvoldstad; 'Russian body and soul': t.A.T.u. performs at Eurovision 2003, Dana Heller; Gay brotherhood: Israeli gay men and the Eurovision Song Contest, Dafna Lemish; Articulating the historical moment: Turkey, Europe, and Eurovision 2003, Thomas Solomon; 'Everyway that I can': auto-orientalism at Eurovision 2003, Matthew Gumpert; Idol thoughts: nationalism in the pan-Arab vocal competition Superstar, Katherine Meizel; 'Changing Japan, unchanging Japan': shifting visions of the red and white Song Contest, Shelley D. Brunt; Index.

About the Author

Ivan Raykoff is Assistant Professor at Eugene Lang College, The New School, USA. Robert Deam Tobin is a Professor at Clark University, USA.

Reviews

'This carefully ordered, interdisciplinary series of essays on the Eurovision Song Contest yields some strong, perhaps counter-intuitive arguments. Ethnicity, of course, in its many manifestations, proves a key issue, but so do relationships between centre and periphery, here frequently characterised in terms of campness - an indication that the entire collection is theoretically rich. The essays, whether detailed studies of individual songs, of the changing strategies of individual countries, or of the larger context, explore how Eurovision is so much more than just a song contest - it is a stage on which various political games are played out and, contrary to the way the show is packaged "on the night", observing the strategies pursued by some countries over the years really does raise questions about whether Eurovision is about winning. This is a refreshing collection, another valuable demonstration of the deep cultural understanding available through consideration of the supposedly banal, which is one reason why so many of us became academically interested in pop music in the first place.' Allan Moore, University of Surrey,UK 'This volume offers a compelling range of interdisciplinary perspectives written by a first-rate group of international scholars. The range of both authors and perspectives is only fitting for the first academic study of the televisual-musical spectacle that anticipated the widespread contemporary 'Idol' phenomenon. In addition to discussing the Eurovision Song Contest, A Song for Europe provides a fine introduction to readers interested in understanding the multi-media context that is increasingly the primary site for the reception of music. This volume also serves the valuable purpose of raising awareness of the contest among readers outside of Europe.' David Brackett, McGill University, Canada 'Raykoff and Tobin's collection of essays is [...] a fresh and thought-provoking read, as the contributions are theoretically informed, well written, concise, and, what is most important, linked to each other by a number of central ideas and concepts that are taken up again and again without any disturbing redundancy or repetition... provides the reader with in-depth studies into a multi-faceted event that millions of Europeans usually deny having watched year after year.' Popular Music and Society