Contents: Introduction; Defining the canon; Aesthetic criteria and the work of art in the reception of rock albums; Canonical narratives, structure and the test of time in the reception of rock albums; The canonical values of rock; Canonical discourse and the question of authority in rock; The rock canon and the future of canons in our culture; Appendix; Bibliography; Index.
Carys Wyn Jones
'... the role of canons within popular music is certainly worth exploring further and this book surely provides some incentives'. International Association for the Study of Popular Music ’Carys Wyn Jones succeeds in bringing debates over a rock canon and its making into popular music studies. Insofar as canon formation remains an understudied and undertheorised issue within the field, this is a welcome addition.’ Popular Music ’The Rock Canon should prove useful both for courses limited to popular music, and for courses in musicology that aim to take a broad or long view; it is also a subject of intrinsic and general interest.’ Music and Letters
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