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Dismantles the Woody Guthrie we have been taught--the rough and ready rambling man--to reveal an artist who discovered how intimacy is crucial for political struggle.

Table of Contents

INTRODUCTION
When to Be Personal

CHAPTER ONE
“I Don’t Sing Any Silly or Jerky Songs”

CHAPTER TWO
Choreographing the Revolution

CHAPTER THREE
“I Hate to Describe My Mother in Terms Such as These”

CHAPTER FOUR
The War Against Loneliness

CHAPTER FIVE
Bodies of Glory

CHAPTER SIX
Stackabones

CHAPTER SEVEN
Two Good Men a Long Time Gone

CHAPTER EIGHT
“The Whole Works”

CHAPTER NINE
“Sick in His Own Healthy Way”

CHAPTER TEN
Look Away

CHAPTER ELEVEN
“Exactly How My Own Mother Saw and Felt”

Acknowledgments
Credits
Notes
Index

About the Author

Gustavus Stadler is a professor of English at Haverford College. A well-established scholar of nineteenth- and twentieth-century US culture and popular music, he is the author of Troubling Minds- The Cultural Politics of Genius in the U.S., 1840-1890. His writing has appeared in the Bay Guardian, SF Weekly, the North Carolina Independent Weekly, Social Text, Sounding Out!, avidly.com, and numerous other outlets. He lives in Haverford, Pennsylvania.

Reviews

“A revealing and reorienting new portrait.”
—Booklist

“Woody Guthrie: An Intimate Life adds powerfully to our understanding of a man who never shied from blending the personal with the political.”
—The Progressive Magazine

“What keeps the book from being merely another entry in a timeworn biographical tradition is that it is an expansive and strikingly unique portrait of a man, not of an immortal legend. An Intimate Life privileges the messiness of character and circumstance, tying together the many Guthries collected under the proper name and placing them in the context of broader social and institutional movements. And here we find the most rewarding and unanticipated delights of the biography: at various stages, one could be forgiven for forgetting that Woody Guthrie was a musician at all.”
—Los Angeles Review of Books

“Zinn’s presentation is crisp and measured, a perfect alignment to provide listeners a view of Guthrie’s fascinating and tragic life.”
—AudioFile

“With revelatory scholarship and a critic’s skeptical touch . . . Stadler retraces Guthrie’s footsteps, most strikingly when Guthrie left few if any traces himself.”
—Greil Marcus, author of The History of Rock ‘n’ Roll in Ten Songs

“Gustavus Stadler helps Woody Guthrie down from his pedestal as dust bowl icon and helps us to see him as the three-dimensional character he really was.”
—Billy Bragg, musician and activist

“A landmark work . . . complicates a story most music fans thought they knew. It will change the way you think not just about Guthrie but about folk music and its political legacies.”
—Ann Powers, author of Good Booty: Love and Sex, Black and White, Body and Soul in American Music

“Like Walt Whitman before him, Stadler’s Guthrie sees no artificial boundary between the needs and urges of the human body and those of the body politic: both can be so robust, and both can be so vulnerable—ultimately, like Guthrie himself. Stadler captures it all.”
—Will Kaufman, author of Woody Guthrie: American Radical

“Stadler’s gorgeous book is both a paean to the Guthrie we know . . . and a revealing look at the embodied Guthrie, who is vulnerable, playful, and lustful . . . . It opens up an important new window into not only Guthrie the man but the history of the twentieth-century American Left.”
—Gayle Wald, author of Shout, Sister, Shout! The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe

“A radical, sympathetic, and essential rethinking of one of the twentieth century’s most radical, sympathetic, and essential artists. Powerful and inspiring.”
—Jesse Jarnow, author of Wasn’t That a Time: The Weavers, the Blacklist, and the Battle for the Soul of America

“Under the cloak of biography, Gustavus Stadler has written a meticulously researched and stunning kaleidoscope of events, music, people, and populist movements that have influenced our lives since. Stadler’s scope for contextualizing Guthrie’s provocative work is expansive—leftist politics, Pete Seeger, Sacco and Vanzetti, gay rights groups, racial violence, the history of psychiatry—and evocative.”
—Michael Bronski, author of A Queer History of the United States

“Groundbreaking . . . provides us with fresh perspectives and important insights into how this iconic figure pushed boundaries in his writing, music, and politics by redefining the role of intimacy.”
—Kip Lornell, coauthor of The Life and Legend of Leadbelly

“Stadler has produced a refreshing, unflinching, and occasionally painful study of Woody Guthrie—exhuming a character more vulnerable than even his most ardent disciples might have imagined.”
—Robert E. Price, author of The Bakersfield Sound: How a Generation of Displaced Okies Revolutionized American Music