Table of Contents

Foreword by Michel Lorblanchet
List of Abbreviations
Introduction
PART I. MURUJUGA
Chapter 1. Situating Murujuga
Chapter 2. Murujuga and Its Meanings
PART II. FROM THE COLONIAL GAZE TO THE ACADEMIC APPRECIATION OF ROCK ART
Chapter 3. The Colonial Gaze
Chapter 4. Rude Aesthetics
Chapter 5. The Colonization of the Landscape
PART III. ICONOCLASM, LANDSCAPE, AND HERITAGE
Chapter 6. The Destruction of Landscape in Murujuga
Chapter 7. The Making of Heritage
PART IV. A THEROY OF LANDSCAPE ICONOCLASM
Chapter 8. Landscape Iconoclasm
Conclusion
Notes
Bibliography
Index
Acknowledgments

Promotional Information

Located in Western Australia, the massive archaeological site of Murujuga has been subject to decades of abuse from regional mining interests. José Antonio González Zarandona traces Murujuga's destruction from the seventeenth century until today, arguing that colonial interference in the region has resulted in landscape iconoclasm.

About the Author

Jose Antonio Gonzalez Zarandona is an Associate Research Fellow at Deakin University, Australia and Centro de Investigacion y Docencia Economicas, Mexico.

Reviews

"It is hoped that this scholarly and extremely detailed publication will assist in providing the necessary research impetus and evidence to demand a review of the existing legislative framework of the WA Aboriginal Heritage Act 1972 and its administrative processes . . . Hopefully the book can assist in preventing future landscape iconoclasm and be used as a scholarly reference and factual record of this significant but under protected part of our important cultural heritage of international significance. It is an outstanding contribution to our understanding of the importance of this remote area of Australia, and a passionate plea for more effective strategies to conserve and protect its significant heritage values."
*Historic Environment*

"In his deep and valuable analysis of the destruction of Murujuga petroglyphs and landscapes, José Antonio González Zarandona helps us better understand a cultural catastrophe and, hopefully, prevent future landscape iconoclasm."
*Jean Clottes, author of World Rock Art*

"In this outstanding book, José Antonio González Zarandona argues persuasively that the categorization of Murujuga art as 'heritage' has marginalized contemporary Aboriginal perspectives and that the damage done to rock art imagery, sites, and landscapes adversely impacts indigenous well-being. This harsh critique is an impassioned call for the development of new strategies to conserve culturally significant places across Australia and the world."
*Paul S.C. Taçon, Griffith University, Queensland, Australia*