Reviews

"Any serious poet or lover of poetry will welcome this anthology, which shows the rich diversity of perspectives in which women poets expand and contest the current state of the art."--Ira Sadoff, Dana Professor of Poetry, Colby College

"Any serious poet or lover of poetry will welcome this anthology, which shows the rich diversity of perspectives in which women poets expand and contest the current state of the art."--Ira Sadoff, Dana Professor of Poetry, Colby College

"Just as Sappho helped defined the genre when it debuted it ancient Greece as a brief, personal song accompanied by the lyre, so the poets selected here-among them Rae Aramatrout, Mei-Mei Berssenbrugge, Jorie Graham, Barbara Guest, Susan Howe, and Harryette Mullen-force us to redefine lyric poetry. In particular, their use of modernist techniques such as fragmentation, disjunction, parataxis, and run-ons and their rejection of confessional techniques and the personal singular voice allow these poets to create a new structure. Many of the resulting images are startling and unique. . ."--Nedra C. Evers, Library Journal

"American Women Poets in the 21st Century helps to reframe the debate about experiment versus tradition in women's contemporary poetry. . . [and] reveals how very distinctive are 21st century American women poets."--Laura Hinton, How2

"A provocative read for those interested in contemporary poetry . . ."--B. Wallenstein, Choice

"Just as Sappho helped defined the genre when it debuted it ancient Greece as a brief, personal song accompanied by the lyre, so the poets selected here-among them Rae Aramatrout, Mei-Mei Berssenbrugge, Jorie Graham, Barbara Guest, Susan Howe, and Harryette Mullen-force us to redefine lyric poetry. In particular, their use of modernist techniques such as fragmentation, disjunction, parataxis, and run-ons and their rejection of confessional techniques and the personal singular voice allow these poets to create a new structure. Many of the resulting images are startling and unique. . ."--Nedra C. Evers, Library Journal

". . . an ideal teaching anthology for an upper-level course on contemporary women poets, or for that "general reader" interested in this particular site of poetic activity . . . Spahr's introduction is necessary reading."--Linda Russo, Jacket

"Any serious poet or lover of poetry will welcome this anthology, which shows the rich diversity of perspectives in which women poets expand and contest the current state of the art."--Ira Sadoff, Dana Professor of Poetry, Colby College

"Any serious poet or lover of poetry will welcome this anthology, which shows the rich diversity of perspectives in which women poets expand and contest the current state of the art."--Ira Sadoff, Dana Professor of Poetry, Colby College
"Just as Sappho helped defined the genre when it debuted it ancient Greece as a brief, personal song accompanied by the lyre, so the poets selected here-among them Rae Aramatrout, Mei-Mei Berssenbrugge, Jorie Graham, Barbara Guest, Susan Howe, and Harryette Mullen-force us to redefine lyric poetry. In particular, their use of modernist techniques such as fragmentation, disjunction, parataxis, and run-ons and their rejection of confessional techniques and the personal singular voice allow these poets to create a new structure. Many of the resulting images are startling and unique. . ."--Nedra C. Evers, Library Journal

"American Women Poets in the 21st Century helps to reframe the debate about experiment versus tradition in women's contemporary poetry. . . [and] reveals how very distinctive are 21st century American women poets."--Laura Hinton, How2

"A provocative read for those interested in contemporary poetry . . ."--B. Wallenstein, Choice

"Just as Sappho helped defined the genre when it debuted it ancient Greece as a brief, personal song accompanied by the lyre, so the poets selected here-among them Rae Aramatrout, Mei-Mei Berssenbrugge, Jorie Graham, Barbara Guest, Susan Howe, and Harryette Mullen-force us to redefine lyric poetry. In particular, their use of modernist techniques such as fragmentation, disjunction, parataxis, and run-ons and their rejection of confessional techniques and the personal singular voice allow these poets to create a new structure. Many of the resulting images are startling and unique. . ."--Nedra C. Evers, Library Journal

". . . an ideal teaching anthology for an upper-level course on contemporary women poets, or for that "general reader" interested in this particular site of poetic activity . . . Spahr's introduction is necessary reading."--Linda Russo, Jacket