Note on Translations and Transliterations | ix
Acknowledgments | xi
Preface: The Ethics of Reading | xv
Introduction. The Quʾran as (Inter)text: Embodiment, Praxis,
Critique | 1
Part I: Poetics of Piety
1. Existential Poiesis in Maḥmūd al-Masʿadī’s Mawlid
al-nisyān | 37
2. Carnivals of Heterodoxy in Abdelwahab Meddeb’s Talismano
| 58
Part II: Ethics of Embodiment
3. Apocalyptic Aftershocks in al-Ṭāhir Waṭṭār’s Al-zilzāl |
83
4. The Polyphonic Hermeneutics of Assia Djebar’s L’amour, la
fantasia | 100
Part III: Genealogies of Transmission
5. Tense Eruptions in Driss Chraïbi’s Le passé simple |
119
6. Threads of Transmission in Muḥammad Barrāda’s Luʿbat
al-nisyān | 141
Epilogue: Poetics, Politics, Piety | 159
Glossary | 167
Notes | 171
Bibliography | 213
Index | 231
Hoda El Shakry is Assistant Professor of Comparative Literature at the University of Chicago.
A pioneering undertaking that has much to offer to scholars and
students of modern Maghreb and Arabic literature, Hoda El Shakry's
The Literary Qur'an: Narrative Ethics in the Maghreb provides a
model for future research in the field... El Shakry has enriched
the Arabic library and the library of comparative and world
literature with a spirited book that is well-written, timely, and
original.-- "Journal of Arabic Literature"
The Literary Qur'an provides an exceptionally rich framework for
considering how religion informs the reading of North African
literature. With agility and grace, the book presents clear
arguments, imaginative readings, and pathways for teaching,
thinking, and reflecting on these literary novels.-- "Michael
Allan, University of Oregon"
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