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British Writers and the Approach of World War II
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Table of Contents

1. Post-Munich I: T. S. Eliot and the spiritual revival; 2. Post-Munich II: literature of the crisis; 3. H. G. Wells and the new world order; 4. Orwell, Forster and the role of the writer; 5. Virginia Woolf and the theatre of war.

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Ellis explores the ways in which British modernist writers wrestled with the acute anxiety and anticipation preceding World War II.

About the Author

Steve Ellis is Professor of English Literature at the University of Birmingham and has published on a wide range of both medieval and modern literature. His previous books include Dante and English Poetry: Shelley to T. S. Eliot (1983); The English Eliot: Design, Landscape and Language in 'Four Quartets' (1991); Chaucer at Large: The Poet in the Modern Imagination (2000); Virginia Woolf and the Victorians (2007) and T. S. Eliot: A Guide for the Perplexed (2009). He has edited several volumes, including Chaucer: An Oxford Guide (2005). Ellis is also a poet and translator, having published three volumes of poetry and an acclaimed translation of Dante's Inferno.

Reviews

'Concentrating on established writers including T. S. Eliot, E. M. Forster and Virginia Woolf, Ellis's study maps the rich, discursive contexts surrounding debates over war policy, different forms of possible government and peace aims in 1939 Britain … [Ellis's] research adds important detail and nuance to narratives of the development of public attitudes to the approaching war.' Laura Blomvall, Journal of Modern Literature

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