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The Cambridge Companion to Electronic Music
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Table of Contents

1. The origins of electronic music Andrew Hugill; 2. Electronic music and the studio Margaret Schedel; 3. Live electronic music Nicolas Collins; 4. A history of programming and music Ge Wang; Artists' statements I: Laurie Spiegel, Yasunao Tone, John Oswald, Mathias Gmachl (Farmers Manual), Erdem Helvacioglu, Pauline Oliveros, Chris Jeffs, Rodrigo Sigal, Mira Calix, Seong-Ah Shin, Carsten Nicolai, Warren Burt, Max Mathews; 5. Interactivity and live computer music Sergi Jordà; 6. Algorithmic composition Karlheinz Essl; 7. Live audiovisuals Amy Alexander and Nick Collins; 8. Network music Julian Rohrhuber; 9. Electronic music and the moving image Julio d'Escriván; Artists' statements II: Kevin Saunderson, Kanta Horio, Donna Hewitt, Alejandro Viñao, Bubblyfish Barry Truax, Lukas Ligeti (Burkina Electric), Christina Kubisch, Murat Ertel, Adina Izarra, CybOrk, Francis Dhomont, David Behrman, Kevin Blechdom (Kristin Erickson) Karlheinz Stockhausen, George E. Lewis; 10. Computer generation and manipulation of sounds Stefania Serafin; 11. Trends in electroacoustic music Natasha Barrett; 12. Electronic sound art and aesthetic experience Adinda van 't Klooster; 13. DIY and maker communities in electronic music John Richards; 14. Extending the instrumental sound world using electronics Monty Adkins; 15. The analysis of electronic music Mary Simoni; Artists' statements III: Éliane Radigue, Daniel Miller, Ikue Mori, Chris Carter and Cosey Fanni Tutti, Holly Herndon, Vince Clarke, Ralf Hütter, Hasnizam Abdul Wahid, Elsa Justel, Beatriz Ferreyra.

Promotional Information

Now updated and expanded with four new chapters, this book explores the history, theory, creation and analysis of electronic music.

About the Author

Nick Collins is Reader in Composition at the University of Durham. His research interests include live computer music, musical artificial intelligence, and computational musicology, and he is a frequent international performer as composer-programmer-pianist or codiscian, from algoraves to electronic chamber music. Julio d'Escriván is Senior Lecturer at the University of Huddersfield. He researches in film and audiovisual music composition and is himself a composer of music for the screen. His work spans electroacoustic and orchestral music, electronica, film music, commercials, live coding and improvisation.

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