Table of Contents

Introduction: Weird Tales—Discourse Community and Genre Nexus (Justin Everett and Jeffrey Shanks)
PART I: THE UNIQUE MAGAZINE: WEIRD TALES, MODERNISM, AND GENRE FORMATION
Chapter 1: "Something that swayed as if in unison": The Artistic Authenticity of Weird Tales in the Interwar Periodical Culture of Modernism - Jason Ray Carney
Chapter 2: Weird Modernism: Literary Modernism in the First Decade of Weird Tales - Jonas Prida
Chapter 3: “Against the Complacency of an Orthodox Sun-Dweller”: The Lovecraft Circle and the “Weird Class” - Daniel Nyikos
Chapter 4: Strange Collaborations: Shared Authorship and Weird Tales - Nicole Emmelhainz
Chapter 5: Gothic to Cosmic: Sword and Sorcery Fiction in Weird Tales - Morgan Holmes
II. EICH-PI-EL AND TWO-GUN BOB: LOVECRAFT AND HOWARD IN WEIRD TALES
Chapter 6: A Nameless Horror: Madness and Metamorphosis in H.P. Lovecraft and Post-modernism - Clancy Smith
Chapter 7: Great Phallic Monoliths: Lovecraft and Sexuality - Bobby Derie
Chapter 8: Evolutionary Otherness: Anthropological Anxiety in Robert E. Howard’s “Worms of the Earth” - Jeffrey Shanks
Chapter 9: Eugenic Thought in the Works of Robert E. Howard - Justin Everett
III. MASTERS OF THE WEIRD: OTHER AUTHORS OF WEIRD TALES
Chapter 10: Pegasus Unbridled: Clark Ashton Smith and the Ghettoization of the Fantastic - Scott Connors
Chapter 11: “A Round Cipher”: Word-Building and World-Building in the Weird Works of Clark Ashton Smith - Geoffrey Reiter
Chapter 12: C. L. Moore and M. Brundage: Competing Femininities in the October, 1934 Issue of Weird Tales - Jonathan Helland
Chapter 13: Psycho-ology 101: Incipient Madness in the Weird Tales of Robert Bloch - Paul Shovlin
Chapter 14: “To Hell and Gone”: Harold Lawlor’s Self-Effacing Pulp Metafiction - Sidney Sondergard
Index
About the Editors and Contributors

About the Author

Justin Everett is associate professor and Director of Writing Programs at the University of the Sciences in Philadelphia and the coauthor of Dynamic Argument (2012). Everett created the Pulp Studies area for the Popular Culture Association and serves as its co-chair.

Jeffrey Shanks is an archaeologist with the National Park Service whose research interests include the use of anthropological and sociological themes in early 20th century pulp fiction. He has authored a number of popular and scholarly articles on Robert E. Howard, including recent essays in Conan Meets the Academy (2012), Pulp Fiction of the 20s and 30s (2013), and Undead in the West II (Scarecrow Press, 2013).

Reviews

Everett and Shanks provide a challenging, provocative collection of essays on the legacy and importance of Weird Tales magazine, particularly from its inception in 1923 to the end of the 1930s, when other magazines (e.g., Unknown) stole some of its thunder by paying higher rates to authors for similar stories. The editors view the magazine as a discourse community—‘a unique and tightly knit community of editors, readers, illustrators, and writers,’ as they write in their introduction—and they place the magazine in relation (and opposition) to literary modernism at the height of its influence. H. P. Lovecraft and Robert E. Howard receive the lion’s share of attention (5 of the 14 essays treat their work at length), but other important writers are covered, including C. L. Moore, Clark Ashton Smith, and Robert Bloch. The little-known author Harold Lawlor, whose work was never collected in book form, receives much-needed attention from Sidney Sondergard, who plucks this writer’s reputation from obscurity. The letters column the magazine published is also taken seriously, with its swirling controversy over what ‘weird fiction’ actually meant. No bibliography, but extensive notes make up for that. Summing Up: Recommended. All readers.
*CHOICE*

The Unique Legacy of Weird Tales . . . [is] a fascinating collection of essays. . . .This is a great volume for anyone who wants to understand why Weird Tales was so crucially important to the development of American fantasy, and the fan who’s just looking for recommendations on the best fantasy from the early Twentieth Century.
*Black Gate*

This volume was faithfully strong throughout. . . .[This book] is very much worth it if you are interested in delving into critical secondary works about some of the greatest popular (pulp) fiction writers of the early to mid-20th century. I highly recommend it!
*On an Underwood No. 5*

The collection’s greatest collective strength is in the brilliant moments when individual contributors place Weird Tales in conversation with scholarship on American pulp magazines.... Unique Legacy as a whole offers an important meditation on the literariness of the pulps, their place in interwar modernism and periodical culture, and much on the significance of Lovecraft and Howard.
*The Journal of the Fantastic in the Arts*