Introduction: Heritage as community research ~ Jo Vergunst and
Helen Graham;
Part one: Ways of knowing;
Chapter one: Legacy and lavender: community heritage and the arts ~
Helen Smith and Mark Hope;
Chapter two: Co-writing about co-producing musical heritage: what
happens when musicians and academics work together? ~ John Ball,
Tony Bowring, Fay Hield and Kate Pahl;
Chapter three: Visibly authentic: images of Romani people from
19th-century culture to the digital age ~ Jodie Matthews;
Chapter four: Digital building heritage ~ Nick Higgett and Jenny
Wilkinson;
Chapter five: Shaping heritage in the landscape amongst communities
past and present ~ Jo Vergunst, Elizabeth Curtis, Neil Curtis, Jeff
Oliver and Colin Shepherd;
Part two: Heritage as action;
Chapter six: CAER heritage: legacies of co-produced research ~
Oliver Davis, Dave Horton, Helen McCarthy and Dave Wyatt;
Chapter seven: Do-It-Yourself heritage: Heritage-as-a-process
(designing for the Stoke ‘ping’) ~ Karen Brookfield, Danny
Callaghan and Helen Graham with members of the Ceramic City Stories
team: Jayne Fair, Jan Roberts and Phil Rowley;
Chapter eight: From researching heritage to action heritage ~
Kimberley Marwood, Esme Cleall, Vicky Crewe, David Forrest, Toby
Pillatt, Gemma Thorpe and Robert Johnston;
Chapter nine: Co-productive research in a primary school
environment: un-earthing the past of Keig ~ Elizabeth Curtis, Jane
Murison and Colin Shepherd;
Conclusion: Co-producing futures: directions for community heritage
as research ~ Helen Graham, Jo Vergunst and Elizabeth Curtis.
Jo Vergunst is a Lecturer in the Department of Anthropology at the University of Aberdeen.
Helen Graham is a Research Fellow in Tangible and Intangible Heritage and Director of the Centre for Critical Studies in Museums, Galleries and Heritage at the university of Leeds.
"This work is a needed stimulus for collaborative research between academics and communities and for critical interdisciplinary heritage studies." Celeste Ray, Sewanee: The University of the South
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