Suzanne Scott is Assistant Professor of Media Studies in the Radio-Television-Film Department at The University of Texas at Austin. She is the co-editor of The Routledge Companion to Media Fandom (2018).
"Scott has created a terrific and timely account of the
exclusionary logics that inform fan culture and mirror contemporary
American politics. It helps contextualize the recent sexist,
racist, and homophobic backlashes against Avengers: Endgame, Star
Wars: The Last Jedi, Ghostbusters, and The Little Mermaid (for
casting a black actress as Ariel) as symptomatic of the culture at
large. Fake Geek Girls is a must read for anyone interested in
learning how gender, power, and privilege shape media production
and fandom."
*Women's Review of Books*
"Fake Geek Girls ties together a dizzying array of fan studies
theories, feminist media theories, and industrial critiques to
build a convincing argument about the convergence culture industry
and its gendered practices… Fake Geek Girls provides an interesting
and timely intervention into questions of gender, fan studies, and
popular culture."
*Convergence*
"Essential reading for anyone interested in fandom, media
industries, and the larger political struggles in which we all
live. In this compelling book, Scott investigates the
boundary-policing in media fandom that constructs female fans as
inauthentic, marginal, and unwelcome. Fake Geek Girls situates
these gendered struggles as part of a larger war on women, helping
us to understand the way that privilege and power operate within
contemporary convergence culture and beyond."
*Derek Johnson, author of Media Franchising: Creative License
and Collaboration in the Culture Industries*
"Fake Geek Girls is a must read for anyone interested in the gender
politics of the media industry and media fandom. Scott connects the
dots between GamerGate, Trump's election, and the mainstreaming of
fandom, revealing the systemic gender policing underpinning all
three. An incisive and thoughtful critique, this book lays bare the
gendered logics at work in the industrys hailing of fans while
recognizing the complexity of their response."
*Louisa Stein, author of Millennial Fandom: Television Audiences
in the Transmedia Age*
"Scott’s book acts as resistance to the persistent vilification of
fangirls, seeks to reestablish fan-girls’ influence on both culture
and cultural studies, and examines the persistently aggressive
gendering of American fandom today."
*Media Industries*
"Without doubt an important text for media scholarship and fandom
studies. It’s meticulously researched, politically relevant, and it
significantly revisits and reimagines early convergence culture
theory."
*Science Fiction Research Association Review*
"A clearly argued and insightful work that I would recommend to
everyone interested in contemporary media culture, feminism, and
identity politics. [...] We need studies like Fake Geek Girls that
make us see the gendered power structures in today’s digital
culture we might otherwise choose to ignore."
*Fafnir Journal*
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