Michael K. Johnson is professor of English at University of Maine at Farmington. He is author of Black Masculinity and the Frontier Myth in American Literature and Hoo-Doo Cowboys and Bronze Buckaroos: Conceptions of the African American West, the latter published by University Press of Mississippi.
By providing the first biography of Harlem Renaissance singer and
memoirist Taylor Gordon, Michael K. Johnson's Can't Stand Still
enhances our understanding of the rich cultural output of the New
Negro movement, the expansiveness of its geographies, the intra-
and interracial networks that sustained it, and the at-times
fleeting effect it had on the lives of its remarkable participants
who remained marginalized in its aftermath. When he recovers the
life of Taylor Gordon, Johnson demands we consider both the New
Negro movement's most soaring aspirations and devastating
losses.--Emily Lutenski, author of West of Harlem: African American
Writers and the Borderlands
Long consigned to obscurity in the footnotes of Harlem Renaissance
history, Taylor Gordon was one of the most gifted singers and
interesting personalities of that era. In Can't Stand Still,
Michael K. Johnson returns him to center stage with significant new
research and vivid storytelling about Gordon's Odyssey-like
childhood, singular vocal talent, struggles with mental illness,
and rich partnership with J. Rosamond Johnson, another giant of
American and African American music.--A'Lelia Bundles, author of On
Her Own Ground: The Life and Times of Madam C. J. Walker
The detailed account of Gordon's life and career in Can't Stand
Still demonstrates that previous studies of the period have
overlooked Gordon's importance to spiritual literature, his
relationship with Rosamond Johnson, and his interaction with his
peers. The book also expands the geography of the Harlem
Renaissance by documenting Gordon's experiences with racial and
social conditions as he traveled throughout the nation.--Amy E.
Carreiro "The Journal of American History"
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