James Brown. John Brown's raid. Brown v. the Topeka Board of Ed. The prize-winning author of Blue Laws meditates on all things "brown" in this powerful new collection.
KEVIN YOUNG is the director of the Schomburg Center for Research in Black Culture and poetry editor for The New Yorker. He is the author of twelve books of poetry and prose, including Blue Laws- Selected & Uncollected Poems 1995-2015, longlisted for the National Book Award; and Book of Hours, a finalist for the Kingsley Tufts Poetry Award and winner of the Lenore Marshall Prize from the Academy of American Poets. Young's book Bunk- The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News, a New York Times Notable Book, was longlisted for the National Book Award and appeared on many "best of" lists for 2017. His collection Jelly Roll- A Blues was a finalist for both the National Book Award and the Los Angeles Times Book Prize for Poetry. His nonfiction book The Grey Album- On the Blackness of Blackness won the Graywolf Press Nonfiction Prize and the PEN Open Book Award, and was a New York Times Notable Book and a finalist for the National Book Critics Circle Award for criticism. He is the editor of eight other collections and was inducted into the American Academy of Arts and Sciences in 2016.
“Necessary . . . Young’s book releases a universal shout—political
in the best, most visceral way, critical, angry, squinting hard at
this culture—while remaining at the same time deeply and lovingly
personal. Love soars over every section, especially the most
painful ones.” —Luis Alberto Urrea, The New York Times Book
Review
“Ambitious . . . . [Young] effortlessly blends memories of his
own experiences — his childhood in Kansas, his college years and
his travels — with reflections on sports figures, musicians and
others who have impacted American life . . . . Young’s writing is
crisp and well paced, his rhythms and harmonies complex. His
virtuosity is on display as he illustrates the intersections
between place and the past, the individual and the collective
consciousness.” —Elizabeth Lund, Washington Post
“Vital and sophisticated . . . sinks hooks into you that cannot be
easily removed . . . Keeping up with him is like trying to keep up
with Bob Dylan or Prince in their primes.” —Dwight Garner, The New
York Times
“Not only beautiful but essential . . . A survey of American
history through the ‘intimate eye’ that only poetry can
provide, Brown pinpoints pop-cultural touchstones and
their impact on how we live. His poems, on their own, pierce in
their wisdom; together, they connect to form a vibrant tapestry of
black life.” —David Canfield, Entertainment Weekly
“Feels effortless . . . Each poem is tight to its subject, spare
and musical in its language, and specific but resonates with
significance in social, political, or historical realms.” —American
Microreviews & Interviews, Edward A. Dougherty
“Kevin Young’s poetry dazzles me.” —Lorraine Berry, Signature
“This new collection continues and deepens the poet’s lyrical
exploration of the African American cultural influences who shaped
his—and the nation’s—identity. Through short, spare lines that
dance, chime, laugh, lament, and assert, Young creates a
consciousness-in-motion, a weaving of personal and national
histories that not only reanimates the past but moves forcefully
into the present.” —Fred Muratori, Library Journal
“Thrillingly quick-footed, Young’s poems are also formally
intricate and fully loaded with history, protest, and emotion.”
—Donna Seaman, Booklist (starred review)
“Young is writing through moments of the exemplary and mundane—‘we
breathe,/ we grieve, we drink / our tidy drinks’—for himself and
his community alike . . . Personal, historic, and contemporary
confrontations with white supremacy, such as ‘Triptych for Trayvon
Martin,’ feature prominently.” —Publishers Weekly
Ask a Question About this Product More... |