About the Author

Deepa Anappara grew up in Kerala, southern India, and worked as a journalist in cities including Mumbai and Delhi. Her reports on the impact of poverty and religious violence on the education of children won the Developing Asia Journalism Awards, the Every Human has Rights Media Awards, and the Sanskriti-Prabha Dutt Fellowship in Journalism. A partial of her debut novel, Djinn Patrol on the Purple Line, won the Lucy Cavendish Fiction Prize, the Bridport/Peggy Chapman-Andrews Award and the Deborah Rogers Foundation Writers Award. Published in 2020, it has since been named as one of the best books of the year by The New York Times, Washington Post, Time and NPR. It won the Edgar Award for Best Novel, was longlisted for the Women's Prize for Fiction 2020, and shortlisted for the JCB Prize for Indian Literature. Deepa has an MA in Creative Writing and is currently studying for a PhD.

Taymour Soomro was born in Lahore, Pakistan. He read law at Cambridge University and Stanford Law School. He has worked as a corporate solicitor in New York and Milan, a law lecturer at a university in Karachi, an agricultural estate manager in rural Pakistan and a publicist for a luxury fashion brand in London. Soomro has an MA in Creative Writing and a PhD in Creative and Critical Writing. He has written extensively for the Pakistani news media. His short fiction has been published in The New Yorker, The Southern Review and Ninth Letter. His debut novel, Other Names for Love, will be published by Harvill Secker in 2022.

Reviews

A whip-smart collection of essays. I read parts of it with the joy of recognition and other parts with the astonishment of revelation
*Kamila Shamsie*

Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once
*Laila Lalami, author of Conditional Citizens*

Letters to a Writer of Colour is full of wisdom, nuance and elegance. It stretches discourses around "colour" and invites us to think more deeply and broadly about these questions. It is essential reading in a world full of soundbites and furious noise
*Tash Aw*

The problem of the color line, as WEB Du Bois called it, has existed in literature and literary criticism as much as social and geopolitical realms, and systematic neglect by publishers, critics and readers has only exacerbated it. Excavating long-buried experiences of rejection, incomprehension and misunderstanding, Letters to a Writer of Colour defines the problem with precision and passion, and also outlines ways to transcend it. No one interested in how we read and should read fiction can afford to miss this bracing and moving anthology
*Pankaj Mishra*

I knew I would love this book as soon as I laid eyes on the title and the list of contributors, and it didn't disappoint - far from it. These essays provide so much wisdom and warmth, giving us a sense of restoration, of community. They take a refreshingly holistic view of the craft and balance real technical insight with deeply gentle humanity. I cannot wait for my students to read this book!
*Okechukwu Nzelu, author of Here Again Now*