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Publishing Culture and the "Reading Nation"
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Table of Contents

Introduction: The Book Trade and "Reading Nation" in the Long Nineteenth Century - Lynne Tatlock
How to Think about Luxury Editions in Late Eighteenth- and EarlyNineteenth-Century Germany - Matt Erlin
The Shaping of Garden Culture in the Journal des Luxus und der Moden (1768-1827) - Karin A. Wurst
Documenting the Zeitgeist: How the Brockhaus Recorded and Fashioned the World for Germans - Kirsten Belgum
The Afterlife of Nineteenth-Century Popular Fiction and the German Imaginary: The Illustrated Collected Novels of E. Marlitt, Wilhelmine Heimburg, and E. Werner - Lynne Tatlock
A Library for Girls: Publisher Ferdinand Hirt & Sohn and the Novels of Brigitte Augusti - Jennifer Drake Askey-Do Not Use
For the Love of Words and Works: Tailoring the Reader for Higher Girls' Schools in Late Nineteenth-Century Germany - Jana Mikota
Thinking Clearly about the Marriage of Heinrich Heine and His Publisher, Julius Campe - Jeffery L. Sammons
At Wit's End: Frank Wedekind and the "Albert Langen Drama" - Mary B. Paddock
Bildung for Sale: Karl Robert Langewiesche's Blaue Bücher and the Business of "Reading Up" - Katrin Voelkner
The Weimar Literature Industry and the Negotiations of Schloss Gripsholm -
"It would be delicious, to write books for a new society, but not for the newly rich": Eduard Fuchs between Elite and Mass Culture - Ulrich E. Bach PhD

About the Author

LYNNE TATLOCK is Hortense and Tobias Lewin Distinguished Professor in the Humanities and Chair of Germanic Languages and Literatures at Washington University in St. Louis, MO. JEFFREY L. SAMMONS is Professor Emeritus, Yale University KARIN A. WURST is Professor of German at Michigan State University. LYNNE TATLOCK is Hortense and Tobias Lewin Distinguished Professor in the Humanities and Chair of Germanic Languages and Literatures at Washington University in St. Louis, MO.

Reviews

I]nstructive and salutary in the way it takes us . . . beyond our usual preoccupations with individual authors and their text-writing and invites us to consider aspects of the publishing context . . . . [I]nformative, memorable, and in many aspects enlightening.
*MODERN LANGUAGE REVIEW*

It is genuinely refreshing to encounter a study that redirects the attention of German Studies to the central importance of material culture. . . . The essays are of uniformly high quality and offer a wealth of information. . . . German Studies should pay more attention to the issues Tatlock's volume raises. Buy the book. It is money well spent.
*GERMAN STUDIES REVIEW*

A wonderful addition to a field straddling both literary and historical scholarship. . . . Provides a rich, multi-faceted view of the publishing world as well as the authors' and readers' worlds in the long nineteenth century.
*WOMEN IN GERMAN REVIEWS*

Taken together, the essays in this fascinating book remind us that behind Germany's sense of Bildungsauftrag . . . lies an impressive publishing history.
*JOURNAL OF EUROPEAN STUDIES*

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